ROH 'William Tell'

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  • Don Basilio
    Full Member
    • Nov 2010
    • 320

    Originally posted by MrGongGong View Post
    and how do we know the difference?
    How about using our critical intelligence and imagination with regard to our response to the performance?

    I refuse to play goodies and baddies on this issue.

    Comment

    • MrGongGong
      Full Member
      • Nov 2010
      • 18357

      Originally posted by Don Basilio View Post
      How about using our critical intelligence and imagination with regard to our response to the performance?
      That doesn't really answer the question of whether a "work" has an existence separate from it's context.
      I'm sure the director of this performance was using "critical intelligence", but that's obviously NOT what lots of people seem to think.

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37995

        Originally posted by MrGongGong View Post
        Erm No it's not that at all IMV



        I'm interested in whether this is true for all works or just some?
        and how do we know the difference?
        Some people make a separation between works of art claimed to express values which are eternally true, and therefore should not be tampered with - e.g. The Bible, The Koran, Bach's B Minor Mass - and those whose significance is deemed more specifically historic and conjunctural, e.g. Shostakovitch 7? Is that what you're getting at?

        Comment

        • MrGongGong
          Full Member
          • Nov 2010
          • 18357

          Originally posted by Serial_Apologist View Post
          Some people make a separation between works of art claimed to express values which are eternally true, and therefore should not be tampered with - e.g. The Bible, The Koran, Bach's B Minor Mass - and those whose significance is deemed more specifically historic and conjunctural, e.g. Shostakovitch 7? Is that what you're getting at?
          Partly

          Also that some folks seem genuinely outraged that something they consider to be complete in the form it was when it's creator died is reimagined in ways that it's creator(s) couldn't conceive.

          I haven't seen this production but I do think it has raised questions about some things which are contemporary assumptions.
          But it does seem that folks aren't really interested in discussing.

          Comment

          • Don Basilio
            Full Member
            • Nov 2010
            • 320

            I took "how do we know the difference" as referring to the difference between a worthwhile interpretation and a misleading one. I realise that was not what you meant.

            Works of art only exist if they are experienced. The person who interprets them is the reader/auditor. The singers and orchestra are only the mediators and the director is their handmaid.

            Incidentally, I read and mediate on the Bible daily. In a sense that is tampering with it, isn't it?

            Comment

            • vinteuil
              Full Member
              • Nov 2010
              • 13066

              Originally posted by Don Basilio View Post
              The singers and orchestra are only the mediators and the director is their handmaid.

              Incidentally, I read and mediate on the Bible daily. In a sense that is tampering with it, isn't it?
              ... well, I suppose that will to some extent depend on what status 'The Bible' has for you as a reader.

              And also, whether you are 'mediating' it or 'meditating' upon it...

              Comment

              • MrGongGong
                Full Member
                • Nov 2010
                • 18357

                Originally posted by Don Basilio View Post
                Works of art only exist if they are experienced. The person who interprets them is the reader/auditor. The singers and orchestra are only the mediators and the director is their handmaid.
                Hummmm

                I'm not sure about that.
                I can think of works of art (in particular musics) that don't work like this at all.

                a worthwhile interpretation and a misleading one
                Which (in my head at least) implies that there is a place to be "led" to?

                Comment

                • Don Basilio
                  Full Member
                  • Nov 2010
                  • 320

                  Ta vints. I meant "meditate".

                  Comment

                  • vinteuil
                    Full Member
                    • Nov 2010
                    • 13066

                    ... but why mediated thro' Latin? Ain't Aramaic/Hebrew/Greek good enuff?

                    [Yes, I kno S Thomas writ in Latin... ]

                    Comment

                    • underthecountertenor
                      Full Member
                      • Apr 2011
                      • 1586

                      Originally posted by HighlandDougie View Post
                      Having recovered from snorting with laughter (err, the Campari went up my nose) at your description of the apparition in a veil, I also much agree with you. I only regret being a miserable skinflint and not buying a better seat where I might have seen a bit more of the stage. And I think that you might on to a winner with the "Regiemask"
                      Thanks!!

                      Comment

                      • Don Basilio
                        Full Member
                        • Nov 2010
                        • 320

                        Originally posted by MrGongGong View Post
                        Which (in my head at least) implies that there is a place to be "led" to?
                        In my first post I gave a number of examples of why this particular performance of this particular opera was unsatisfactory or misleading (and a number of examples where it worked).

                        I have been talking all the time about a specific performance. MrGongGong has been talking about abstract possibilities. Hence the confusion.

                        Comment

                        • MrGongGong
                          Full Member
                          • Nov 2010
                          • 18357

                          Originally posted by Don Basilio View Post
                          In my first post I gave a number of examples of why this particular performance of this particular opera was unsatisfactory or misleading (and a number of examples where it worked).

                          I have been talking all the time about a specific performance. MrGongGong has been talking about abstract possibilities. Hence the confusion.
                          No confusion really
                          more that its interesting to explore things a bit more than making lists of things one likes and dislikes (not that you were doing that :peace dove:)

                          Music is "abstract" IMV (it's also many other things)

                          Comment

                          • Prommer
                            Full Member
                            • Dec 2010
                            • 1275

                            Originally posted by MrGongGong View Post
                            Music is "abstract" IMV (it's also many other things)
                            Gosh how clever.

                            Have been away for a week and yet I return to find Mr GG and Flossie still grinding on...?

                            Comment

                            • Flosshilde
                              Full Member
                              • Nov 2010
                              • 7988

                              Otherwise known as 'responding to comments'. I'm not sure what you're doing.

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