ROH 'William Tell'

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  • Prommer
    Full Member
    • Dec 2010
    • 1275

    #16
    As for the booing, I didn't join in though sorely tempted. It was cacophonous and widespread though originating in the Amphi.

    I just don't like the music being disrupted.

    Comment

    • Roehre

      #17
      another production which I musically would have liked to attend, but thank goodness didn't, confirming again why I have lost all confidence I will ever enjoy modern productions of pre-1930 operas.

      Comment

      • gurnemanz
        Full Member
        • Nov 2010
        • 7445

        #18
        Going on Sunday and was greatly looking forward to it, having studied Schiller's original many years ago. Alas, nothing I have read encourages me to think I will enjoy the experience unless I shut my eyes for four hours and am lucky enough not to be sitting near any selfish, baying claque members. I have nothing in principle against re-interpretations (if coherently done - which this seems not to be), but it seems to me that this approach is much less valid with works which many people (like me) will be seeing for the for the first time and would like to get to know in a more conventional way before being subjected to eccentric and excessive flights of fancy.

        Comment

        • Flosshilde
          Full Member
          • Nov 2010
          • 7988

          #19
          Originally posted by Stanfordian View Post
          Hiya Giacomo,

          The ROH William Tell production is being relayed through the Odeon Cinemas in a few days on the 5 July. I'm in two minds now whether or not to attend now.
          Indeed. I was planning on going; now I might take Shaw's advice re Wagner productions & sit with my back to the stage (metaphorically - difficult to do literally in a cinema). I regret even more now not going to see Welsh Opera's (?) production.

          Comment

          • MrGongGong
            Full Member
            • Nov 2010
            • 18357

            #20
            Originally posted by Giacomo View Post
            Kasper Holten is Director of Opera for The Royal Opera, either:
            1. He thought it acceptable and so should be sacked.
            2. He knew it was bad and chose to do nothing so should be sacked.
            3. He didn't know about the production and so should be sacked.



            Anyone else you want to put in the stocks?

            Originally posted by Stanfordian View Post
            Hiya Giacomo,

            The ROH William Tell production is being relayed through the Odeon Cinemas in a few days on the 5 July. I'm in two minds now whether or not to attend now.
            I would go and make up your own mind (i'm going to see Mozart in a park in Lincolnshire or I would go)

            Comment

            • french frank
              Administrator/Moderator
              • Feb 2007
              • 30652

              #21
              Originally posted by MrGongGong View Post
              i'm going to see Mozart in a park in Lincolnshire
              Okay, so we know you've got a lot of musician friends…

              The thing about breaking social taboos is that in the modern cultural-artistic world there seems to be a feeling that if you can see a taboo anywhere, art has an absolute duty to break it, because that's what art is about.

              It seems a somewhat grandiose attitude - self-important. Just an opinion - can't be proved.
              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

              Comment

              • teamsaint
                Full Member
                • Nov 2010
                • 25251

                #22
                Originally posted by french frank View Post
                Okay, so we know you've got a lot of musician friends…

                The thing about breaking social taboos is that in the modern cultural-artistic world there seems to be a feeling that if you can see a taboo anywhere, art has an absolute duty to break it, because that's what art is about.

                It seems a somewhat grandiose attitude - self-important. Just an opinion - can't be proved.
                IMO you could substitute the word comedy for Art in your post FF.

                But I obviously don't" get" a lot of modern comedy.My loss maybe.
                I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                I am not a number, I am a free man.

                Comment

                • Frances_iom
                  Full Member
                  • Mar 2007
                  • 2421

                  #23
                  ROH has just sent out a long email to those who bought tickets warning of the scene but justifying it as part of the setting - "However, we are aware that some audience members might not want to be exposed to
                  a depiction of sexual violence in this way, and so we are writing to you to make
                  sure you feel properly warned about this short scene in act 3 in advance of
                  watching the production."

                  Comment

                  • french frank
                    Administrator/Moderator
                    • Feb 2007
                    • 30652

                    #24
                    Originally posted by teamsaint View Post
                    IMO you could substitute the word comedy for Art in your post FF.

                    But I obviously don't" get" a lot of modern comedy.My loss maybe.
                    I would include comedy in 'cultural-artistic'. It seems to be an aspect of western contemporary 'culture' to shock, break rules &c in areas where doing so is not (any longer) illegal. I think this is the new meaning of the word 'edgy' - operating at the limit of what you can get away with. A bit like schoolboys, really
                    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                    Comment

                    • Conchis
                      Banned
                      • Jun 2014
                      • 2396

                      #25
                      The ROH has recent 'form' where rape is concerned.

                      I recall a rape during the overture of Les Vepres Siciliennes a couple of years back. As it was a strictly one-on-one affair, it didn't elicit much comment.

                      Comment

                      • Zucchini
                        Guest
                        • Nov 2010
                        • 917

                        #26
                        Originally posted by french frank View Post
                        It seems to be an aspect of western contemporary 'culture' to shock, break rules &c...A bit like schoolboys, really
                        Put your catapault way Beethoven - and tie your shoelaces...

                        Comment

                        • MrGongGong
                          Full Member
                          • Nov 2010
                          • 18357

                          #27
                          Originally posted by french fran[I
                          [/I]k;494872]Okay, so we know you've got a lot of musician friends…

                          The thing about breaking social taboos is that in the modern cultural-artistic world there seems to be a feeling that if you can see a taboo anywhere, art has an absolute duty to break it, because that's what art is about.

                          It seems a somewhat grandiose attitude - self-important. Just an opinion - can't be proved.
                          1: The Mozart gig doesn't feature any of my friends

                          2: I guess you must be unfamiliar with the circumstances surrounding the premiere of Le Sacre de Printemps?

                          Comment

                          • french frank
                            Administrator/Moderator
                            • Feb 2007
                            • 30652

                            #28
                            Originally posted by MrGongGong View Post
                            1: The Mozart gig doesn't feature any of my friends
                            That was a joke. You said you were going to see Mozart in the park I didn't really think you were claiming him as a personal friend.
                            Originally posted by MrGongGong View Post
                            2: I guess you must be unfamiliar with the circumstances surrounds the premiere of Le Sacre de Printemps?
                            Yes, in fact I thought of that. One vital difference is that both ballet and music were newly composed: in that sense the music itself was as much a shock as the ballet. Not sure what social taboo was being broken there, though.

                            The William Tell (and other operas) don't break social taboos until the contemporary directors get hold of them.
                            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                            Comment

                            • MrGongGong
                              Full Member
                              • Nov 2010
                              • 18357

                              #29
                              Originally posted by french frank View Post
                              That was a joke. You said you were going to see Mozart in the park I didn't really think you were claiming him as a personal friend.



                              Yes, in fact I thought of that. One vital difference is that both ballet and music were newly composed: in that sense the music itself was as much a shock as the ballet. Not sure what social taboo was being broken there, though.

                              The William Tell (and other operas) don't break social taboos until the contemporary directors get hold of them.
                              I'm not an expert on Opera (but one of my friends definitely is ) but I don't think you are right in your last sentence.

                              I've not seen it, nor have most (but obviously not ALL) the people who seem so outraged by it.

                              Comment

                              • Flosshilde
                                Full Member
                                • Nov 2010
                                • 7988

                                #30
                                Originally posted by Frances_iom View Post
                                ROH has just sent out a long email to those who bought tickets warning of the scene but justifying it as part of the setting - "However, we are aware that some audience members might not want to be exposed to
                                a depiction of sexual violence in this way, and so we are writing to you to make
                                sure you feel properly warned about this short scene in act 3 in advance of
                                watching the production."
                                But not offering a refund?

                                Comment

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