Opera on 3: Die Meistersinger (Met)

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  • Prommer
    Full Member
    • Dec 2010
    • 1272

    Opera on 3: Die Meistersinger (Met)

    This is being played very beautifully so far - real clarity and point.
  • Nick Armstrong
    Host
    • Nov 2010
    • 26575

    #2
    Originally posted by Prommer View Post
    This is being played very beautifully so far - real clarity and point.
    Yes I happened upon the start of the Prelude - sounded excellent!

    Then the chorus came in... I haven't looked: it's the Met, I assume?
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • Prommer
      Full Member
      • Dec 2010
      • 1272

      #3
      Yes, the Met.

      A very very fine account of Act I orchestrally - just superb. And the arch (my dears), the arch was there!

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      • Flosshilde
        Full Member
        • Nov 2010
        • 7988

        #4
        You're all so wonderful - we're on to the interval ego-stroking

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        • DracoM
          Host
          • Mar 2007
          • 12993

          #5
          Well, for me, the orchestra is easily star of the show. Lovely attention to detail behnd some pretty dull, unsubtle barking / singing

          Comment

          • Nick Armstrong
            Host
            • Nov 2010
            • 26575

            #6
            Originally posted by Prommer View Post
            Yes, the Met.

            ... the arch (my dears), the arch was there!



            I just can't take their chorus. Rather like the BBC Singers here, it seems to be at the opposite end of the spectrum from the kind of choral sound I enjoy.

            "...the isle is full of noises,
            Sounds and sweet airs, that give delight and hurt not.
            Sometimes a thousand twangling instruments
            Will hum about mine ears, and sometime voices..."

            Comment

            • Nick Armstrong
              Host
              • Nov 2010
              • 26575

              #7
              Originally posted by DracoM View Post
              Well, for me, the orchestra is easily star of the show. Lovely attention to detail behnd some pretty dull, unsubtle barking / singing
              I caught the beginning of the Quintet - distinctly iffy Eva, I thought. Karita Mattila she was not...

              "...the isle is full of noises,
              Sounds and sweet airs, that give delight and hurt not.
              Sometimes a thousand twangling instruments
              Will hum about mine ears, and sometime voices..."

              Comment

              • Bryn
                Banned
                • Mar 2007
                • 24688

                #8
                I was a little surprised to hear Ian Skelly announce the availability to of tonight's Oo3 for the next 30 days, but falling to mention High Definition Sound. I now think I know why. It has just been made available, but only in Low Definition mono with a high frequency cut-off of 11kHz, i.e. 49kbps AAC-HE mono with a sampling rate of just 22.05kHz. Hmm.

                [By 03:50 today (Sunday 14th) the HD Sound offering was made available in the UK. All is now well.]
                Last edited by Bryn; 14-12-14, 03:57.

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                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20575

                  #9
                  Originally posted by Caliban View Post
                  I just can't take their chorus. Rather like the BBC Singers here,
                  Was it really that bad?

                  Comment

                  • Prommer
                    Full Member
                    • Dec 2010
                    • 1272

                    #10
                    Levine is at his best (and back to his best) in this repertoire. I went out after Act I so will listen to the rest later today.

                    Why does this opera work so well at this time of year, when all the talk is of Midsummer?!

                    Comment

                    • gradus
                      Full Member
                      • Nov 2010
                      • 5630

                      #11
                      Whilst driving I heard the bass singing Das schöne Fest in Act 1 with great assurance and no strain at the top of the voice and thought it augured well for the performance - which I missed. This is such a fine piece of writing - amongst the loveliest for bass voice in all Wagner - but sometimes goes for nothing in performance. Just couldn't resist posting this performance by Franz Crass: https://www.youtube.com/watch?v=_0mX7iuHgMU

                      Comment

                      • ostuni
                        Full Member
                        • Nov 2010
                        • 551

                        #12
                        I stuck the radio on while driving back from Salisbury last night. I hadn't looked at the schedules at all, so didn't know where the broadcast was coming from; after hearing some of the chorus contributions, I was convinced it had to be some third-tier European house - though was surprised that some of the solo stuff sounded rather better than I would have expected from such a source.

                        I didn't listen to much (not the best sort of music for sub-zero roads & frequent foggy patches), but stuck it on at the end to hear who it was. And I'm appalled that the Met can put out choral singing of this standard, especially the sopranos - wobbly, unfocused, and completely losing it in more than one place...

                        Comment

                        • Nick Armstrong
                          Host
                          • Nov 2010
                          • 26575

                          #13
                          Originally posted by ostuni View Post
                          And I'm appalled
                          Ditto, but sadly I wasn't surprised based on their "previous".

                          Originally posted by gradus View Post
                          Whilst driving I heard the bass singing Das schöne Fest in Act 1 with great assurance and no strain at the top of the voice and thought it augured well for the performance - which I missed. This is such a fine piece of writing - amongst the loveliest for bass voice in all Wagner - but sometimes goes for nothing in performance. Just couldn't resist posting this performance by Franz Crass: https://www.youtube.com/watch?v=_0mX7iuHgMU
                          I love that section too, gradus - one of the most heartwarming passages in all music. (See, I do love some opera !!)

                          Crass seems a little hard-edged; the geniality of the chap who sings it for Jochum hits the spot for me (plus slightly more movement in the tempo): https://play.spotify.com/album/3hU0XFFZkuUE2sqp9udsBO
                          "...the isle is full of noises,
                          Sounds and sweet airs, that give delight and hurt not.
                          Sometimes a thousand twangling instruments
                          Will hum about mine ears, and sometime voices..."

                          Comment

                          • Pianorak
                            Full Member
                            • Nov 2010
                            • 3128

                            #14
                            Originally posted by gradus View Post
                            Just couldn't resist posting this performance by Franz Crass: https://www.youtube.com/watch?v=_0mX7iuHgMU
                            Thanks for posting, gradus. And here's a magnificent Wenn alle Toten aufersteh'n. http://hugoshirley.blogspot.co.uk/20...1928-2012.html
                            My life, each morning when I dress, is four and twenty hours less. (J Richardson)

                            Comment

                            • gradus
                              Full Member
                              • Nov 2010
                              • 5630

                              #15
                              Cali, 'heartwarming', what a well-chosen word it puts my feelings about this piece so well that i can add nothing.
                              Pianorak, that Dutchman excerpt is simply sensational. Wow.

                              Comment

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