Live from the Met 2.04.11 - Wagner: Das Rheingold

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  • Don Basilio
    Full Member
    • Nov 2010
    • 320

    #76
    Originally posted by Bert Coules View Post
    The venue was Bayreuth, the year was 1882, and the miscreant was one Richard Wagner.
    Somebody particularly not noted for his consideration and sensitivity with regard to other live human beings.

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    • kernelbogey
      Full Member
      • Nov 2010
      • 5841

      #77
      But hang on - wasn't he saying Bravo! to appreciate the performers?

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      • Eine Alpensinfonie
        Host
        • Nov 2010
        • 20578

        #78
        Originally posted by kernelbogey View Post
        But hang on - wasn't he saying Bravo! to appreciate the performers?
        When I was experiencing opera at the Arena di Verona in 1988, the enthusiastic Italians did not shout "bravo", but "BRAVI". It this a form of added value, or have we British got it wrong? I've often wondered.

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        • LHC
          Full Member
          • Jan 2011
          • 1576

          #79
          Originally posted by Eine Alpensinfonie View Post
          When I was experiencing opera at the Arena di Verona in 1988, the enthusiastic Italians did not shout "bravo", but "BRAVI". It this a form of added value, or have we British got it wrong? I've often wondered.
          Italians, being noted amongst other things for being able to speak Italian, shout "bravo" to male performers, "brava" to female performers and "bravi" when they are congratulating more than one performer.*

          However, only the most pretentious of audience members in this country will affect these varied terms. For the rest of us "bravo" is perfectly acceptable.

          (* except at La Scala, where audience members shout "bravo", "brava", "bravi" or "boo" depending on the claque they belong to)
          "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
          Lady Bracknell The importance of Being Earnest

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          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20578

            #80
            Originally posted by LHC View Post
            However, only the most pretentious of audience members in this country will affect these varied terms. For the rest of us "bravo" is perfectly acceptable.
            That's OK then. (But I think I'll just clap. )

            (* except at La Scala, where audience members shout "bravo", "brava", "bravi" or "boo" depending on the claque they belong to)

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            • kernelbogey
              Full Member
              • Nov 2010
              • 5841

              #81
              Originally posted by LHC View Post
              [....]However, only the most pretentious of audience members in this country will affect these varied terms. For the rest of us "bravo" is perfectly acceptable.[....]
              On another thread we debated the Guardian rant by Tom Service about someone bellowing 'Bravi', a nanosecond after the last note. Touch and go whether the pretentiousness or rudeness was the more infuriating.

              [Wagner....]not noted for his consideration and sensitivity with regard to other live human beings
              My point here was that W appreciated the performers, and thus was considerate, if not to fellow audience members!

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              • Auferstehen2

                #82
                Apparently, the publication of the famous Ernest Newman’s book on Wagner has been delayed for a year according to my bookseller. In the meantime, I have been recommended


                Wagner’s Ring and its symbols, by Roger Donington, @ £16.99,

                Wagner Remembered, by Stewart Spencer, @ £14.99,


                Can any Wagnerite recommend these books, please?

                Mario
                Last edited by Guest; 27-05-11, 12:23. Reason: lousy colonial English!

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                • umslopogaas
                  Full Member
                  • Nov 2010
                  • 1977

                  #83
                  Aufersthehen, post 17 strongly recommends Donington's book, post 21 (me) notes it as an impenetrably obscure analysis based on Jungian concepts, and you probably need to be a Jungian to have any chance of getting much out of it. I thought Bryan Magee's 'Aspects of Wagner' (OUP) was very good, as was Martin van Amerongen's 'Wagner: A Case History' (Dent).

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                  • ostuni
                    Full Member
                    • Nov 2010
                    • 552

                    #84
                    I found Donington heavy going when I tried to read it, years ago. Michael Tanner's Faber Pocket Guide is very readable, up to date (2010) and cheap (£8.99 retail, £2.19 Amazon Marketplace).

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