Carlo Bergonzi, that most stylish of Italian tenors, has sadly passed away, aged 90. Some of my earliest - and most treasured opera recordings - featured his tremendous singing. Always a sensitive singer in terms of phrasing and attack - a sort of antidote to Mario del Monaco and Franco Corelli - he was a joy to hear. I only heard him live once, at a farewell recital at the Royal Opera House. As he launched into his final encore, a member of the audience cried out "Perché?" (i.e. why was he retiring, when the voice was still in such fine form). Bergonzi just shrugged.
R.I.P. Carlo Bergonzi
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R.I.P. Carlo Bergonzi
Last edited by Il Grande Inquisitor; 26-07-14, 10:05.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....Tags: None
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amateur51
Originally posted by Il Grande Inquisitor View PostCarlo Bergonzi, that most stylish of Italian tenors, has sadly passed away, aged 90. Some of my earliest - and most treasured opera recordings - featured his tremendous singing. Always a sensitive singer in terms of phrasing and attack - a sort of antidote to Mario del Monaco and Franco Corelli - he was a joy to hear. I only heard him live once, at a farewell recital at the Royal Opera House. As he launched into his final encore, a member of the audience cried out "Perché?" (i.e. why was he retiring, when the voice was still in such fine form). Bergonzi just shrugged.
Of course I am sad that he has died but he has left an astonishing legacy of marvellous recordings by which we can remember his art and his contribution to human happiness, for which I am certainly grateful.
Grazie mille, Maestro!
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slarty
I saw him at Covent Garden quite a few times (late sixties and early seventies), he was just great. Not much of an actor, very much in the Björling style of
"stand and deliver" but all the better for that. He had an elegance of singing style that is all but gone these days, especially in the "spinto" roles that he took on.
I remember him well in Ballo and Aida particularly.
RIP Carlo e Bravo!!
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Roehre
Never seen him, but my rare explorations of Italian opera at that time (mid 1970s) almost all consisted of recordings with him. Much treasured.
RIP Carlo Bergonzi
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Originally posted by amateur51 View PostWhat a great age, what a wonderful career, and apparently what a nice man as well as a glorious artist.
Of course I am sad that he has died but he has left an astonishing legacy of marvellous recordings by which we can remember his art and his contribution to human happiness, for which I am certainly grateful.
Grazie mille, Maestro!
R.I.P
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Originally posted by amateur51 View PostOf course I am sad that he has died but he has left an astonishing legacy of marvellous recordings by which we can remember his art and his contribution to human happiness, for which I am certainly grateful.
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PrincipessaDiGelo
*Newbie alert!*
What recording(s) would the panel suggest to introduce someone to the wonders of Bergonzi? Anyone who can elicit these tributes must be pretty extraordinary.
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Originally posted by PrincipessaDiGelo View PostWhat recording(s) would the panel suggest to introduce someone to the wonders of Bergonzi? Anyone who can elicit these tributes must be pretty extraordinary.
For those on a budget:
Buy Carlo Bergonzi: Verdi & Puccini Arias by Various, Bergonzi, Carlo from Amazon's Classical Music Store. Everyday low prices and free delivery on eligible orders.
(Other suppliers are available.)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by PrincipessaDiGelo View Post*Newbie alert!*It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by PrincipessaDiGelo View Post*Newbie alert!*
What recording(s) would the panel suggest to introduce someone to the wonders of Bergonzi? Anyone who can elicit these tributes must be pretty extraordinary.
Philips also released a 3-disc set of Verdi arias - not sure if this is available separately, but is included on the giant Bergonzi box Decca recently released.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Heard this sad news on the car radio this afternoon. He was my favourite tenor for Verdi and Puccini by a country mile; I loved his distinctive, tight vibrato, superb diction and gorgeous phrasing.
I only heard him live twice: as Edgardo in Lucia at ROH in 1985 (aged 60), where he eclipsed even Joan Sutherland. Then at the Gramophone Awards ceremony in 2000 (aged 76) where he sang a Neapolitan song and the Brindisi duet from Traviata; obviously well past his prime, but nonetheless a memorable occasion.
I would go to his Riccardo (Ballo in Maschera, cond. Leinsdorf) and Rodolfo (La Boheme, as per IGI above) for supreme examples of his art.
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Merging with the thread on A Night at the Opera ...
People may also be interested in this discussion from a little while back.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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