I have been listening to this afternoon’s concert of recordings by the BBC Scottish Symphony Orchestra. The performances are excellent especially Ravel's Ma mere l'oye suite under Michal Dworzynski. I know from attending many of the BBC Philharmonic concerts that the standard of performance is remarkably high and I was certainly impressed by the playing of the BBC Scottish Symphony Orchestra.
BBC Scottish Symphony Orchestra plays Ravel's Ma mere l'oye suite
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Originally posted by Stanfordian View PostI have been listening to this afternoon’s concert of recordings by the BBC Scottish Symphony Orchestra. The performances are excellent especially Ravel's Ma mere l'oye suite under Michal Dworzynski. I know from attending many of the BBC Philharmonic concerts that the standard of performance is remarkably high and I was certainly impressed by the playing of the BBC Scottish Symphony Orchestra.
Many years ago I played with it as a 'member' ( principal horn) from 1966 until 1970 .
Its woodwind section was as superb then as it is now.Last edited by Tony Halstead; 19-02-14, 07:54. Reason: original comments on woodwind referred mistakenly to a different orchestra..apologies!
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Originally posted by Tony View Postthere can be no doubt that the BBCSSO is a superb, flexible orchestra!
Many years ago I played with it as a 'member' ( principal horn) from 1966 until 1970 .
if I were to be 'hypercritical' I would say that its ( if any) weaknesses are to be found in its woodwind section, where
(1) its 1st oboe uses far too much vibrato
(2) its 1st flute is never, ever, 'flat' ... ( the corrolarry is that he/she is sometimes sharp)
(3) Its 1st clarinet plays 'as a soloist' rather than as a member of a 'team'.
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Originally posted by Tony View Postthere can be no doubt that the BBCSSO is a superb, flexible orchestra!
Many years ago I played with it as a 'member' ( principal horn) from 1966 until 1970 .
if I were to be 'hypercritical' I would say that its ( if any) weaknesses are to be found in its woodwind section, where
(1) its 1st oboe uses far too much vibrato
(2) its 1st flute is never, ever, 'flat' ... ( the corrolarry is that he/she is sometimes sharp)
(3) Its 1st clarinet plays 'as a soloist' rather than as a member of a 'team'.
It was the homogeneity that stuck me today in the Ravel.
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