Just caught the end of this at lunchtime - link here - so have just listened to the whole thing. Some very expressive playing - and when did we last have a guitar recital? So much thanks for this. A very Bream-ish programme - Dowland, Bach, Henze and Britten, the last two works being written for Bream and appearing on his ground-breaking "20th Century Guitar" LP. The second of the two Dowland Fantasies and the Bach BVW 998 were both on the very first guitar LP I bought, aged 15, by Oscar Ghiglia - a very astute bit of programming by Shibe to place the two side by side as he explains on his blog.
SMP's intro was inaccurate - she said Robert Dowland published the Varietie of Lute Lessons in 1610 when his father was away in Denmark. Dowland had been dismissed by the King of Denmark in 1606, so was long back by this time, and the Varietie consisted of pieces (by Dowland and others) that had appeared before. The Fantasy exists in two versions (as a quick glance at Diana Poulton's book would have informed SMP - how do presenters prepare for this sort of thing?), having been composed some years earlier but tidied up in the Robert Dowland publication. Dowland finally got his job at the English court in 1612, but his great composing days were behind him by then.
A pretty good stab at the Britten Nocturnal, one of the finest pieces in the repertoire.
A meaty and resonant guitar, which - I managed to decipher SMP's announcement with the help of Google - I see is a Kwakkel - new to me.
SMP's intro was inaccurate - she said Robert Dowland published the Varietie of Lute Lessons in 1610 when his father was away in Denmark. Dowland had been dismissed by the King of Denmark in 1606, so was long back by this time, and the Varietie consisted of pieces (by Dowland and others) that had appeared before. The Fantasy exists in two versions (as a quick glance at Diana Poulton's book would have informed SMP - how do presenters prepare for this sort of thing?), having been composed some years earlier but tidied up in the Robert Dowland publication. Dowland finally got his job at the English court in 1612, but his great composing days were behind him by then.
A pretty good stab at the Britten Nocturnal, one of the finest pieces in the repertoire.
A meaty and resonant guitar, which - I managed to decipher SMP's announcement with the help of Google - I see is a Kwakkel - new to me.
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