Originally posted by ferneyhoughgeliebte
View Post
Lunchtime Concerts one stop shop
Collapse
X
-
Véronique Gens sings French mélodie: 8 May
Live from Wigmore Hall in London, soprano Véronique Gens and pianist Susan Manoff perform songs from the golden age of the French mélodie tradition by Hahn, Duparc and Chausson.
Introduced by Sara Mohr-Pietsch
Hahn: Néère; Trois jours de vendange
Duparc: Chanson triste; Romance de Mignon
Chausson: Le Charme; Les Papillons; Hébé
Hahn: Quand je fus pris au pavillon; Le Rossignol des lilas; A Chloris
Chausson: Le Chanson bien douce; Le Temps des lilas
Hahn: Lydé; Tyndaris; Pholoé; Phyllis; Le Printemps
Véronique Gens (soprano)
Susan Manoff (piano).
Just started. Exquisite.
Comment
-
-
Originally posted by doversoul1 View PostLive from Wigmore Hall in London, soprano Véronique Gens and pianist Susan Manoff
Just started. Exquisite.
Comment
-
-
Lawes and Locke by Phantasm: Monday 22 May
Live from Wigmore Hall in London, viol consort Phantasm play English music from the 17th century by Matthew Locke and three of the 'Royall Consorts' of William Lawes.
Introduced by Sara Mohr-Pietsch
W Lawes: Royall Consort No 10
Locke: Consort of 4 Parts No 5
W Lawes: Royall Consort No 5
Locke: The Flatt Consort 'for my cousin Kemble'
W Lawes: Royall Consort No 6
Phantasm
I'll be thinking of gamba.
Comment
-
-
Originally posted by doversoul1 View PostLive from Wigmore Hall in London, viol consort Phantasm play English music from the 17th century by Matthew Locke and three of the 'Royall Consorts' of William Lawes.
Introduced by Sara Mohr-Pietsch
W Lawes: Royall Consort No 10
Locke: Consort of 4 Parts No 5
W Lawes: Royall Consort No 5
Locke: The Flatt Consort 'for my cousin Kemble'
W Lawes: Royall Consort No 6
Phantasm
I'll be thinking of gamba.Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
Originally posted by doversoul1 View PostEnglish songs by Ireland, Warlock, Gurney, Howells, Stanford, Vaughan Williams and more…
http://www.bbc.co.uk/programmes/b08ljpr2
Also caught before the 30-day deadline the Manchester Chamber Concerts Society airings. It is admittedly curious to get the "tossed salad" format, with 3 different concerts sliced and diced to make the different programs, as is common with these 'festival week' offerings. But it is what it is, and was good listening.
Comment
-
-
W.F. Bach, Steve Reich and More: 5 June
Mahan Esfahani
Live from Wigmore Hall, London, harpsichordist and former Radio 3 New Generation Artist Mahan Esfahani plays music by from three centuries by Thomas Tomkins, Giles Farnaby, Wilhelm Friedemann Bach, Henry Cowell and Steve Reich.
Introduced by Fiona Talkington.
Tomkins: Pavan in A minor
Farnaby: Woody-Cock
Cowell: Set of Four
W.F. Bach: Sonata in E flat
Steve Reich: Piano Phase
Mahan Esfahani (harpsichord)
Comment
-
-
Originally posted by DracoM View Posthttp://www.bbc.co.uk/programmes/b08rg5rk
Something weird in this broadcast: is it just me or does the iPlayer version stop before the end of the Beethoven?Last edited by Bryn; 04-06-17, 21:46.
Comment
-
-
Originally posted by doversoul1 View PostMahan Esfahani
Live from Wigmore Hall, London, harpsichordist and former Radio 3 New Generation Artist Mahan Esfahani plays music by from three centuries by Thomas Tomkins, Giles Farnaby, Wilhelm Friedemann Bach, Henry Cowell and Steve Reich.
Introduced by Fiona Talkington.
http://www.bbc.co.uk/programmes/b08slq3f
Comment
-
-
Italian Baroque Sonatas: Monday 3 July
Just starting
Live from Wigmore Hall in London, recorder-player Maurice Steger and harpsichordist Jean Rondeau perform works by Hasse, Falconieri, Storace, Corelli, Scarlatti and Sammartini.
Presented by Sara Mohr-Pietsch
Hasse: Cantata in D for recorder and continuo
Falconieri: La suava melodia
Bernardo Storace: Ciaccona for solo harpsichord
Castrucci: Sonata for recorder and continuo (after Corelli's Violin Sonata Op 5 No 8)
Scarlatti: Harpsichord Sonatas in D minor, Kk213, and in D, Kk119
Giuseppe Sammartini: Sonata in G, Op 2 No 4, for recorder and continuo
Maurice Steger (recorder)
Jean Rondeau (harpsichord).
Comment
-
-
Richard Tarleton
Not quite lunchtime, but 12.10 pm - was anyone else listening to the Chiauroscura Quartet playing Death and the Maiden? Could just be my ears, but I thought the first movement sounded pretty rough and as if it had tuning problems - they certainly spent an inordinate amount of time tuning after the first movement. A short way into the 2nd, I had no choice but to turn it off.
Comment
-
Originally posted by teamsaint View PostIt seems such a pity that so many of these concerts seem to go unremarked upon, on the board.
Feels as though this is evidence of a growing trend in 'cultural tourism', ie holidays with concerts thrown in, varying from classical pops to private concerts at exclusive venues. You gets what you pays for.
Enjoyed Haydn's 'Dream' quartet (opus 50/50 on Monday. Just wondered whether the glissandos in the last movement were scored or added to liven up an otherwise workaday ending. Nice, whatever it was.
Enjoyed Haydn's The Dream on Monday.And the tune ends too soon for us all
Comment
-
-
Originally posted by Constantbee View PostEnjoyed Haydn's 'Dream' quartet (opus 50/50 on Monday. Just wondered whether the glissandos in the last movement were scored or added to liven up an otherwise workaday ending. Nice, whatever it was.
Enjoyed Haydn's The Dream on Monday.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
Comment