enjoyed the second two pieces by the Croatian bass/baritone but the rest of the performances were dire to my opera averse ears ... and the young Korean who opened was clearly afflicted by nerves but had a very listen-able voice ... not an impressive start though ...
Cardiff Singer 2013
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This event is not really my tasse de the but do recognise the heritage of this event with its illustrious list of past winners (and unlucky losers).
However, the sainted Donald MacLeod (who is presumably covering this for R3) has announced on his Twitter feed that there have been some bizarre judging decisions. Is scandal about to rear its head at Cardiff?
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I didn't know that the tenor was unwell, he was certainly a bag of nerves and barely able to sing in that horrible yelping piece. The English soprano had a good round and chose bravely but perhaps not well with the Meistersinger excerpt. I think that showpiece top B really won it for the American mezzo whom I gather was, by some margin, the most experienced performer.
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Originally posted by Mary Chambers View PostThe winner of last night's round on television was embarrassingly obvious. I think they said the poor Korean lad was not well. Not a wise choice of repertoire!
Ahead of her appearance this evening in Concert 3 (broadcast on BBC Four tomorrow), here is my interview with Portuguese soprano Susana Gaspar:
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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The range of experience, and to a lesser degree, ages, does make the whole "X is a better singer than Y" thing just a bit of a nonsense, doesn't it? Quite apart from the meaninglessness of "better" in this sort of context. I think I'd rather see the event run simply as a showcase rather than a competition.
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Listened to tonight's round. The Argentinian did indeed have a super voice, though her repertoire was a bit narrow. They also chose the Italian soprano to go to the finale, I'm sorry but were the judges listening to the same performance as I was? She was poor, a weak Verdi and just about the worst performance I've ever heard of 'One Fine Day' the final top note was horribly flat and she was 'under the note' far too often. I wonder if looks had more to do with it than ability?
The Bridge orchestral song sung by the British tenor was gorgeous, though he didn't quite do it justice, his lower notes weren't strong enough. Must dig out the recording I have of the Bridge.
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Originally posted by Suffolkcoastal View PostThey also chose the Italian soprano to go to the finale, I'm sorry but were the judges listening to the same performance as I was?
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Originally posted by DublinJimbo View PostI agree completely. I was astonished when she was included in the final five. Of those I heard, Jamie Barton (US mezzo) remains top of my list.I keep hitting the Escape key, but I'm still here!
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Originally posted by Bert Coules View PostThe range of experience, and to a lesser degree, ages, does make the whole "X is a better singer than Y" thing just a bit of a nonsense, doesn't it? Quite apart from the meaninglessness of "better" in this sort of context. I think I'd rather see the event run simply as a showcase rather than a competition.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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I heard that one of the BBC Four highlights programmes included a short feature about how present-day opera singers are, of necessity, thinner, more attractive and better actors than their equivalents in the past. Did anyone catch it? And if so, do you remember which night it was? I've had a quick flick through the episodes available on the iPlayer but can't seem to turn it up.
A bit ironic, given that the winner of the song competition, who was rightly described by one of the commentators as highly operatic, isn't exactly sylph-like.
I would like to have seen the fabulous tenor from Belarus - who was also highly operatic - in the main final.
Many thanks.Last edited by Bert Coules; 22-06-13, 20:34.
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