Originally posted by Bert Coules
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Cardiff Singer 2013
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Originally posted by David-G View PostI thought that the snide comment was surprising, and very much out of order. The audience in the hall thought the same, judging by the sharp intake of breath.
Yesterday, I wrote:
...Marko Mimica the bass baritone, but he then lost points for striding off the stage without thanking or acknowledging the orchestra.Last edited by Bert Coules; 24-06-13, 08:23.
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Music Theatre
Jamie Barton said (confessed?) in one of the interviews that her first love was Music Theatre. Good. Her low notes had a trombone quality (quote from Donald M). In contrast Daniela Mack showed superb projection and evenness throughout her range. Very strange jury, as the audience prize shows.
And maybe the Song Prize was taken to be be about singing a Song, from an opera, rather than Lieder?
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I think last night was the first time I have ever heard 'Calumnia' sung (and at a singable tempo) as opposed to whoofled and blustered - usually its the preserve of baritones later in their career.
I would very much like to Listen Again, but I seem not to be able to (I'm sure that contruction is wrong, but I can''t work out what it should be). Is either final not going to appear on the Radio Iplayer?
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The Radio Wales coverage of the main final is available at http://www.bbc.co.uk/programmes/b036s5ws .
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Originally posted by Bert Coules View PostThe Radio Wales coverage of the main final is available at http://www.bbc.co.uk/programmes/b036s5ws .
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Originally posted by aka Calum Da Jazbo View Posta snide comment by the Jury Chair that it was 'surprising' that he had done soOriginally posted by Bert Coules View PostYes, that was strange. I think it was meant to be a joke - "here in Wales" it was surprising that an English tenor won when there was a Welsh one in the competition - but it was incredibly ill-judged and doesn't make sense anyway, given that the voting was open to anyone, not just the Welsh.
Didn't see it. Who was this plonker??"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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The singer that showed real imagination and variety in her choice of pieces won. She has a beautiful voice that will I think stay the course during her career as she has masterly vocal technique amply demonstrated in her performance.
I enjoyed the other performances but I just didn't get the baritone at all, my loss I'm sure and he has youth on his side.
Mary King was as usual a sound and well informed commentator and Petroc held it together well.
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amateur51
It's my loss I know but each time I have tried to watch any of this competition I have been driven apoplectic by the monstrous titles followed by Petroc's quite unnecessary hyperbole. Can't they dart him with some barbiturate first? What I'd give just to have the performances and some professional commentary afterwards.
Does Dame Fanny Waterman permit this sort of hullabaloo at Leeds?
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Richard Tarleton
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Originally posted by amateur51 View PostIt's my loss I know but each time I have tried to watch any of this competition I have been driven apoplexy by the monstrous titles followed by Petroc's quite unnecessary hyperbole. Can't they dart him with some barbiturate first? What I'd give just to have the performances and some professional commentary afterwards.
Does Dame Fanny Waterman permit this sort of hullabaloo at Leeds?
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Re audience applause #35:
We were in the audience for the song final on Friday evening.
The audience applaud according to the wishes of the performer, which are announced before the start of the evening- so you have to have a pretty good collective audience memory. e.g. 'for Competitor X please applaud after every song, for Competitor Y please applaud after the first three songs, then after the next two, then at the end; for Competitor Z, please applaud only at the end of the sequence; Mr A asks that you applaud only after the fourth and final songs; Miss B wishes you to applaud after the Sibelius and the Schumann."
As the evening continues - and particularly after the interval, members of the audience check with neighbours - 'Now was this the one who wanted no applause at all or did he say
after the fourth and sixth ...'
I might add that the audience performed their role admirably - only one tiny and short-lived ripple of applause out of place.
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