Why, instead of blanket Mozart Radio 3 are doing(I mean there is no reason why, after all no anniversary etc), be beter to have someone like Liszt for example?
Composer Anniversaries 2011
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Panjandrum
Originally posted by Brassbandmaestro View PostWhy, instead of blanket Mozart Radio 3 are doing(I mean there is no reason why, after all no anniversary etc), be beter to have someone like Liszt for example?
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Originally posted by LeMartinPecheur View PostWell, if we're now doing works instead of composers, how about this lot for 1911?
Nielsen Violin Concerto
Sibelius Symph 4; Rakastava
VW 5 Mystical Songs
Rachmaninov Etudes-Tableaux Op33
Holst Invocation; 2nd Suite for Military Band
Ives Browning Overture; The Gong on the Hook and Ladder; Tone-roads 1
Schoenberg Herzgewachse
Ravel L'heure espagnole; Valse nobles et sentimentales
Wolf-Ferrari (fp) The Jewels of the Madonna
Bridge The Sea
Bartok Bluebeard's Castle; Allegro barbaro; 3 Burlesques
Enesco Symph 2
Stravinsky The King of the Stars
Webern 5 pieces for orchestra
Butterworth 2 English idylls; 6 songs from A Shropshire Lad
Prokofiev Magdalene; Piano conc 1
Can I also throw in Medtner's 'Night Wind' Sonata. Well worth a listen.Del boy: “Get in, get out, don’t look back. That’s my motto!”
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Originally posted by maestro267 View PostAre there any notable 'piece' anniversaries in 2011?
Richard Strauss: Der Rosenkavalier ( Dresden, January 26)
Sibelius: Symphony No 4 (Helsinki, April 3)
Elgar: Symphony No 2 (London, May 24)
Stravinsky: Petrushka (Paris, June 13)"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostMost notable are:
Richard Strauss: Der Rosenkavalier ( Dresden, January 26)
Sibelius: Symphony No 4 (Helsinki, April 3)
Elgar: Symphony No 2 (London, May 24)
Stravinsky: Petrushka (Paris, June 13)
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Liszt @ the 2011 Proms (?)
One tidbit (emphasis mine) buried in Nicola Christie's recent article in The Independent on Franz Liszt:
Franz Liszt changed the course of music, yet his work has fallen out of favour. He's about to get the recognition he deserves, though, as Nicola Christie discovers
"There are grand plans underfoot, with a Barenboim/Boulez performance of the two piano concertos at the South Bank Centre in June, a whole host of concerts and recitals programmed for most of the major concert halls around the country, and – this is just a rumour but an exciting one – performances of the complete set of tone poems at the 2011 BBC Proms."
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And if anniversaries of different kinds are allowed,it's 50 years in 2011 since the death of Sir Thomas Beecham, so much more that just a conductor. He had a hand in Covent Garden opera house for years, forming orchestras, making arrangements of Handel and other composers, producing and conducting forgotten Victorian works, promoting many unknown 20th century composers.... To people of my age he could be pompous, annoying, overbearing, but always amusing and certainly a one-off. God bless, Tommy.RIP. PS. and he got pretty good results from his players.
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