Alexis Weissenberg
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amateur51
Weissenberg was an artist whom I never really 'got'. He had huge technical facility (hard-won possibly) and he often appeared to skate over the surface of music and its technical difficulties, giving his performances an appearance, for me, of superficiality.
Listeningto/watching the Petrushka in the second clip attached to the article, he plays pretty ferociously, blending a lot of detail that other pianists bring out, but at the same time he creates a very different but no less cogent 'image' of the piece.
Undoubtedly he was a formidable pianist and this news of his death is sad
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amateur51
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amateur51
Originally posted by aka Calum Da Jazbo View Posti have treasured his idiosyncratic and awe inspiring way with Bach solo keyboard ..wonderful triple disc set a decade or so ago
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Auferstehen2
Now that I'm talking about Beethoven, I feel safer on more familiar ground, rather than DSCH or RVW (c/o other threads)!
Sorry to disagree with you am51 (for the first time, I believe!), but I thought Weissenberg and Karajan gave the best accounts of Beethoven PCs 1 & 2 I’ve ever heard.
The crystalline clarity of the works may be more to do with Karajan’s keen ear for balance, but Weissenberg's keyboard work I though really got to the soul of the fresh and youthful work PC1, not lacking the odd moment of profundity I must say.
Mario
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Here's a Weissenberg recording I've not heard - tempting:
St-Laurent Studio, Le specialiste du transfert de disques 78 tours. St-Laurent Studio, The specialist in 78 rpm record transfers.
the pieces included in Marc-Andre Hamelin's disc:
<p>Marc-André Hamelin’s technical and interpretative brilliance over an extraordinarily wide range of repertoire has placed him firmly in the top rank of living pianists. His recent recordings of Alkan and Haydn were universally acclaimed in the highest terms. In this latest recording, Hyperion presents Marc-André Hamelin ‘in a state of jazz’, as he turns his attention to the music of Kapustin, Antheil, Gulda and Weissenberg—all composers who felt keenly that there was a fundamental desire on the part of the concert-going public to hear something different. This wonderful disc is full of surprises—as Hamelin writes in his entertaining yet scholarly liner notes, ‘There is no jazz in this recording. At least not in the traditional sense … there is much to be enjoyed here, and much to be amazed by’.</p>
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Interestingly there is a 10cd set of Weissenberg due out on 6 February as an EMI Icon. Like another poster on this thread I too have never quite got Weissenberg but this may be an opportunity to reappraise. [For me the more tempting Icon due out on the same day is Cantelli - but that would be another thread].
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amateur51
Originally posted by hafod View PostInterestingly there is a 10cd set of Weissenberg due out on 6 February as an EMI Icon. Like another poster on this thread I too have never quite got Weissenberg but this may be an opportunity to reappraise. [For me the more tempting Icon due out on the same day is Cantelli - but that would be another thread].
A box of Cantelli huh? It's time that he was re-appraised and brought to the attention of younger listeners but, rather like Furtwangler, there's a always a potential confusion about dates in the 'live' recordings.Can you imagine the programmes that Rob Cowan & Jonathan Swain would have made out of a Cantelli box in the good old days?
Sounds like there will be plenty of spending opportunities in 2012
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