Going back to Ravel ...

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  • Osborn

    #46
    Originally posted by ferneyhoughgeliebte View Post
    Wha'evva: you will be doing yourself a huge favour, Ossy, if you get to know both works ASAP.
    Thanks for that; I love Debussy's piano music anyway so a Ravel/Debussy pairing of these works is now my No. 1 for xmas! Exciting & unexpected really.

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    • Panjandrum

      #47
      Originally posted by Petrushka View Post
      This reminds me of a few weeks ago at work when I had separate e-mails from two different people with exactly the same name and sent at precisely rhe same time.
      Are you sure one wasn't sent from their hotmail and the other from their work email?

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      • amateur51

        #48
        Originally posted by Petrushka View Post
        This reminds me of a few weeks ago at work when I had separate e-mails from two different people with exactly the same name and sent at precisely rhe same time.

        Anyway, going back to Ravel...my absolute favourite piece is the complete Daphnis et Chloe. Have many recordings but wouldn't want to be without Boston SO/Munch, LSO/Monteux or BPO/Boulez. Next year (June 8) sees the centenary of the first performance.

        As for Bolero and La Valse I love them! What's the problem?
        Seconded, Petrushka!

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37851

          #49
          Originally posted by Caliban View Post

          S_A please tell us you didn't write your second para completely independently of barber??? You went back and copied it over, right?

          Otherwise: too weird
          My message was an ironic observation on the fact that the respondent to #39 had either clearly not seen #40 or was being supercilious.

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          • barber olly

            #50
            Originally posted by Petrushka View Post
            This reminds me of a few weeks ago at work when I had separate e-mails from two different people with exactly the same name and sent at precisely rhe same time.

            Anyway, going back to Ravel...my absolute favourite piece is the complete Daphnis et Chloe. Have many recordings but wouldn't want to be without Boston SO/Munch, LSO/Monteux or BPO/Boulez. Next year (June 8) sees the centenary of the first performance.

            As for Bolero and La Valse I love them! What's the problem?
            I love La valse and dislike Bolero quite a lot. No problem!

            Comment

            • Petrushka
              Full Member
              • Nov 2010
              • 12329

              #51
              Originally posted by Panjandrum View Post
              Are you sure one wasn't sent from their hotmail and the other from their work email?
              .
              Pretty sure, yes. They were from two entirely unrelated companies on two different subjects.
              "The sound is the handwriting of the conductor" - Bernard Haitink

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              • Barbirollians
                Full Member
                • Nov 2010
                • 11759

                #52
                Then again having heard the wild and wonderful Boston SO/Munch recordings of Bolero and La Valse tonight - I was pleased to hear both works again - a fast and then faster Bolero and a frenzied La Valse indeed.

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                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  #53
                  Originally posted by Barbirollians View Post
                  Then again having heard the wild and wonderful Boston SO/Munch recordings of Bolero and La Valse tonight - I was pleased to hear both works again - a fast and then faster Bolero and a frenzied La Valse indeed.
                  Where in the score is there even a hint of-accelerando? Ravel's own recording actually gradually drops in tempo.

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                  • Barbirollians
                    Full Member
                    • Nov 2010
                    • 11759

                    #54
                    Originally posted by Bryn View Post
                    Where in the score is there even a hint of-accelerando? Ravel's own recording actually gradually drops in tempo.
                    No idea but it is a very exciting recording and the complete opposite of routine.

                    I see from Gramophone that Lionel Salter hated them in 1959 and Jonathan Swain loved them in 1994.
                    Last edited by Barbirollians; 24-01-19, 00:16.

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