Organ Recital 4/10/11
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David Underdown
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Mahlerei
I'm all for more organ music on R3, but this is such an unadventurous programme. If I had a buck for every time I heard the Widor Toccata I'd be a rich man.
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Simon
Well, absolutely! How on earth can they possibly schedule such populist trash? Talk about dumbing down! All the stuff that the lumpen proles will know and nothing challenging at all. What a wasted opportunity.
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VodkaDilc
Originally posted by Simon View PostWell, absolutely! How on earth can they possibly schedule such populist trash? Talk about dumbing down! All the stuff that the lumpen proles will know and nothing challenging at all. What a wasted opportunity.
What does alarm me is realising that young Wayne is about to be 50!!
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VodkaDilc
Originally posted by mercia View PostI fear not .......................... only joking !!!
I'm afraid I can't see the point of transcriptions when there's so much "genuine" organ music to choose from, perhaps there's no hope for me
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er, well, BWV 565 was ok apart from some strange added notes at the end, but I guess you can add whatever you like. BWV 547 taken at a nice pace, best item of the evening (IMO). preferred his improvisation on BACH to Liszt's. Vierne taken at a very fast pace, some details lost I thought, Rossini transcription I thought made the instrument sound like a barrel organ, Saint-Saens slightly better. I had to switch off in the final improvisation, excruciating. Still can't believe these are WM's favourite works.
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Ventilhorn
Originally posted by Mahlerei View PostI'm all for more organ music on R3, but this is such an unadventurous programme. If I had a buck for every time I heard the Widor Toccata I'd be a rich man.
VH
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Contre Bombarde
Originally posted by mercia View Poster, well, BWV 565 was ok apart from some strange added notes at the end, but I guess you can add whatever you like. BWV 547 taken at a nice pace, best item of the evening (IMO). preferred his improvisation on BACH to Liszt's. Vierne taken at a very fast pace, some details lost I thought, Rossini transcription I thought made the instrument sound like a barrel organ, Saint-Saens slightly better. I had to switch off in the final improvisation, excruciating.
I heard only 1) the Fugue from BWV 565 which I thought OK but could have done without the odd ending and the exceptionally long final chord, 2) the Vierne, which I thought was dreadful; far too fast and banged out in a rather mechanical fashion, and finally 3) the first part of the final improvisation. I'm sorry to say this, but I thought the part I heard before my groans caused Madame Voix-CĂ©leste to turn the system off, was unstructured, unmusical and similar to a first-term improvisation student's effort.
I cannot understand why this particular event with its unremarkable programme was chosen for a live broadcast nor the reverence that the corporation seem to have for Wayne Marshall's organ playing. This will almost certainly be the only concert of its type broadcast for the forseeable future and it is a pity that the marginally interested listener probably had his or her negative feelings about the genre reinforced.
I happened to be in Birmingham on Monday and took my parents along to the Town Hall for Thomas Trotter's lunchtime concert. He too played the Finale from Vierne I and even though I know the piece inside out I still felt that real "chill and thrill" one can get only from a faultless performance on a wonderful instrument. There was none of that last night.
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