It seems to me that despite age discrimination legislation one of the major places that ageism exists is in the booking of artists for classical concerts most certainly in the UK .
Ida Haendel 's outrageous neglect from 1994 onwards when she played her last Prom is a most striking example but also when discussing Tamas Vasary's Chopin this year I wondered whether he had retired but no he was playing abroad .
Promoters seem determined to give us the latest sensation time and time again and I have often been disappointed by the next glamorous young female violinist or prodigy pianist .
Is this not a real problem or do older artists , unless they are stratospheric stars , not get a fair crack of this whip ?
Ida Haendel 's outrageous neglect from 1994 onwards when she played her last Prom is a most striking example but also when discussing Tamas Vasary's Chopin this year I wondered whether he had retired but no he was playing abroad .
Promoters seem determined to give us the latest sensation time and time again and I have often been disappointed by the next glamorous young female violinist or prodigy pianist .
Is this not a real problem or do older artists , unless they are stratospheric stars , not get a fair crack of this whip ?
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