BBC4 - actual music!

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  • jonfan
    Full Member
    • Dec 2010
    • 1444

    #16
    I enjoyed this concert immensely. Could it be Suzy Klein’s new role is bearing fruit?

    Comment

    • Dave2002
      Full Member
      • Dec 2010
      • 18034

      #17
      Originally posted by Ein Heldenleben View Post
      Suffice to say cutting to the piccolo nose picking while the clarinet plays an exquisite solo would not generally be reckoned a triumph.
      Absolutely!

      I didn't know that there was such interest in such detail.

      Comment

      • ardcarp
        Late member
        • Nov 2010
        • 11102

        #18
        I think it's their dogma that there must always be chat and camera movement, where concerts usually involve a lot of sitting still listening.
        I thought the chat was quite minimal on this programme. As for camera movement, I thought they did it very well. It's fair enough not just to have a single static camera 'sitting in the auditorium'. After all, an audience member will always be moving his/her gaze to sections of the orchestra or to a particular instrument. Wish we could have more of this music content on the Beeb.

        Comment

        • BBMmk2
          Late Member
          • Nov 2010
          • 20908

          #19
          Have to see about catching up!
          Don’t cry for me
          I go where music was born

          J S Bach 1685-1750

          Comment

          • jonfan
            Full Member
            • Dec 2010
            • 1444

            #20
            Tonight’s Summer Concert from Vienna one of best yet with fantastic playing responding to superb conducting. Lovely visuals with a French flavour.

            Comment

            • oddoneout
              Full Member
              • Nov 2015
              • 9268

              #21
              Originally posted by jonfan View Post
              Tonight’s Summer Concert from Vienna one of best yet with fantastic playing responding to superb conducting. Lovely visuals with a French flavour.
              I watched most of it and very much enjoyed it - a lovely distraction and brain re-set from some tiresome things I had been dealing with during the day. I am not one for the kind of vocal numbers that were included(really not into opera) but I have to say the soloist last night had me hooked - all the drama but without the wobble and dodgy tuning that so often seems to come with it(I did say I wasn't a fan...) I didn't catch her name and no BBC info online about the programme as to music played, performers etc.

              Comment

              • jonfan
                Full Member
                • Dec 2010
                • 1444

                #22
                Radio Times has the details of performers. The singer was Elina Garanca.

                Comment

                • hmvman
                  Full Member
                  • Mar 2007
                  • 1120

                  #23
                  Originally posted by jonfan View Post
                  Tonight’s Summer Concert from Vienna one of best yet with fantastic playing responding to superb conducting. Lovely visuals with a French flavour.
                  Just caught up with it on iPlayer and couldn't agree more. I found Bolero absolutely thrilling!

                  Comment

                  • Dave2002
                    Full Member
                    • Dec 2010
                    • 18034

                    #24
                    The BBC NOW with Beethoven 5 was pretty good a couple of nights ago. Despite the hype I didn't really like the other pieces much, and of course there was the gushing commentary. The only really sensible thing I heard was that the opening of B5 does have a rest before the "fate" motif - see https://imslp.org/wiki/File:PMLP1586.jpg - though whether that makes a difference to performances I don't know. The first three notes don't seem to be accented either - but there is a pause in the next (2/4) bar.

                    Comment

                    • smittims
                      Full Member
                      • Aug 2022
                      • 4322

                      #25
                      Conductors have played with those four notes as much as actors have varied their delivery of 'To be or not to be'. Some have made the first three sound like a triplet, instead of three quavers with the (slight) stress on the second.And the second-world-war association brought a heavy emphasis on the whole phrase which today would, I think, sound over-rhetorical.

                      Comment

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