Very decent performances of two cracking works tonight. But one thing had me baffled in the closing pages of the Sea Symphony. Both soloists and the choir were very clearly singing 'O further sail', over and over again.
But Whitman and the score have 'farther', which surely makes a much brighter, more aspiring, exciting vowel. Why the change, and is there any precedent for it? It can't have been to prevent confusion with 'father' can it?
Hosts: OK, move this to Pedants' Paradise or Pronunciation Watch if you think it necessary...
But Whitman and the score have 'farther', which surely makes a much brighter, more aspiring, exciting vowel. Why the change, and is there any precedent for it? It can't have been to prevent confusion with 'father' can it?
Hosts: OK, move this to Pedants' Paradise or Pronunciation Watch if you think it necessary...
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