BBC TV Proms: Why, why, why...?

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  • Lordgeous
    Full Member
    • Dec 2012
    • 831

    BBC TV Proms: Why, why, why...?

    Exasperated again tonight with the TV presenters. WHY O WHY do they have to leap in within seconds of a piece ending, not even allowing us a smattering of audience applause to savour? This appears to be a new phenomenum. Didn't they used to wait before blundering in immediately over the applause? I appreciate this is no doubt as directed by the producer but to me the audience reaction is part of the whole concert experience. The camerawork too has been disappointing this year - do we need close-up shots of members of the audience, for example? I'm a strong admirer of the BBC (and an ex-employee) but is it slowly turning into the visual equivalent of Classic FM?
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20571

    #2
    The presenters appear to believe that their jabbering is more important than the music.
    They insult the viewers by telling what they can see for themselves on the screen.

    Step back to 1997. The funeral of Princess Diana was broadcast simultaneously on BBC, ITV and Channel 5. The BBC and ITV commentary was gentle, discrete and respectful. The pictures were allowed to speak for themselves. Channel 5, however, was a wall of constant inane jabbering; it was dreadful. The BBC has a long record of copying the others in a race to the bottom …

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    • Bella Kemp
      Full Member
      • Aug 2014
      • 481

      #3
      I sort of agree, but am not such a fan of the proms' audience reaction - witness the shout of 'Bravo!' before the final vibrations of the last chord of Brahms' 3 had died out, this week: shattering the moment. Perhaps we just have to accept the drawbacks in live performances.

      Comment

      • oddoneout
        Full Member
        • Nov 2015
        • 9268

        #4
        Originally posted by Lordgeous View Post
        Exasperated again tonight with the TV presenters. WHY O WHY do they have to leap in within seconds of a piece ending, not even allowing us a smattering of audience applause to savour? This appears to be a new phenomenum. Didn't they used to wait before blundering in immediately over the applause? I appreciate this is no doubt as directed by the producer but to me the audience reaction is part of the whole concert experience. The camerawork too has been disappointing this year - do we need close-up shots of members of the audience, for example? I'm a strong admirer of the BBC (and an ex-employee) but is it slowly turning into the visual equivalent of Classic FM?
        It's been happening for some years now across the board - evening, lunchtime concerts etc. At the end of performances I suspect it's the result of pressure to "return to [Broadcasting House or wherever] for the rest of..." but it is very annoying, not least because of the straining to be heard over the audience "noise".
        The happy days of the R3 silence are long gone alas.

        Comment

        • kernelbogey
          Full Member
          • Nov 2010
          • 5801

          #5
          Originally posted by oddoneout View Post
          The happy days of the R3 silence are long gone alas.
          Is the convention that silence is anathema on radio a new one?

          Comment

          • Dave2002
            Full Member
            • Dec 2010
            • 18034

            #6
            Originally posted by kernelbogey View Post
            Is the convention that silence is anathema on radio a new one?
            Has to be for days and for more than a few minutes - apparently.

            THE captains of Britain’s nuclear submarines had a wake up call today - when the BBC mysteriously went off air for 15 minutes. Secret orders to captains say orders to launch a strike are to be opened and acted upon only if the submarine cannot tune in to Radio 4’s Today programme for a given number of days.


            I wonder if the rules have changed due to the current incumbent.

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            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              #7
              I like what BBC R3 dies, better.
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

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              • LMcD
                Full Member
                • Sep 2017
                • 8621

                #8
                Originally posted by kernelbogey View Post
                Is the convention that silence is anathema on radio a new one?
                I don't know whether it's still the case, but I believe broadcasters were told that 'dead air' was the worst crime in the broadcaster's rule book.
                I wonder whether the idiots who shout 'bravo' a nanosecond after the conclusion of a work are the same people who seem determined to get in one final shout of encouragement a second before a tennis player delivers a service.

                Comment

                • Ein Heldenleben
                  Full Member
                  • Apr 2014
                  • 6922

                  #9
                  Originally posted by LMcD View Post
                  I don't know whether it's still the case, but I believe broadcasters were told that 'dead air' was the worst crime in the broadcaster's rule book.
                  I wonder whether the idiots who shout 'bravo' a nanosecond after the conclusion of a work are the same people who seem determined to get in one final shout of encouragement a second before a tennis player delivers a service.
                  For what it’s worth in the past extended periods of silence on Radio 3 / Third programme were permitted . I think up to 30 secs was permitted . There even used to be pauses between programmes of that length. I can even remember a time when there used to be a fade to black between TV programmes - usually to allow switching between studios. The reason Radio 3 was allowed those long pauses is partly because some of them were out of its control . A conductor might have a long pause between movements (I think there’s a scheduled one in one of the Mahler symphonies) or there might be a long instrument tuning break with the level meter barely moving. Some of the automated transmitters were programmed to switch off when they received no signal and I think R3 was given a dispensation from this technical requirement . The contrast was with Radio 1 where no dead air - not even a second - was permitted. Most engineers and studio managers could tell which of the four stations was which just by looking at a level meter or peak programme meter (PPM) . If the levels were kicking around PPM 1 it had to be R3.

                  Comment

                  • oddoneout
                    Full Member
                    • Nov 2015
                    • 9268

                    #10
                    Originally posted by Heldenleben View Post
                    For what it’s worth in the past extended periods of silence on Radio 3 / Third programme were permitted . I think up to 30 secs was permitted . There even used to be pauses between programmes of that length. I can even remember a time when there used to be a fade to black between TV programmes - usually to allow switching between studios. The reason Radio 3 was allowed those long pauses is partly because some of them were out of its control . A conductor might have a long pause between movements (I think there’s a scheduled one in one of the Mahler symphonies) or there might be a long instrument tuning break with the level meter barely moving. Some of the automated transmitters were programmed to switch off when they received no signal and I think R3 was given a dispensation from this technical requirement . The contrast was with Radio 1 where no dead air - not even a second - was permitted. Most engineers and studio managers could tell which of the four stations was which just by looking at a level meter or peak programme meter (PPM) . If the levels were kicking around PPM 1 it had to be R3.
                    In the same way that if you turned the radio on and were met with silence it meant(all other things being equal) that you were tuned in to R3

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                    • Ein Heldenleben
                      Full Member
                      • Apr 2014
                      • 6922

                      #11
                      Originally posted by oddoneout View Post
                      In the same way that if you turned the radio on and were met with silence it meant(all other things being equal) that you were tuned in to R3
                      Or the local FM relay had conked out again….

                      Comment

                      • oddoneout
                        Full Member
                        • Nov 2015
                        • 9268

                        #12
                        Originally posted by Heldenleben View Post
                        Or the local FM relay had conked out again….
                        Indeed. Hence my caveat.

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                        • Petrushka
                          Full Member
                          • Nov 2010
                          • 12307

                          #13
                          I'm far more irritated by the wholly unnecessary recapitulation of the final few bars as the credits roll. It's a dash for the mute button before it creeps in.
                          "The sound is the handwriting of the conductor" - Bernard Haitink

                          Comment

                          • LHC
                            Full Member
                            • Jan 2011
                            • 1561

                            #14
                            Originally posted by Petrushka View Post
                            I'm far more irritated by the wholly unnecessary recapitulation of the final few bars as the credits roll. It's a dash for the mute button before it creeps in.
                            Yes that seems to be this year's thing, and its already really annoying, not least because it meant we had to suffer the idiot's intrusive 'bravo' after Brahms 3 twice!
                            "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                            Lady Bracknell The importance of Being Earnest

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                            • ARBurton
                              Full Member
                              • May 2011
                              • 331

                              #15
                              This is a hill I`ve been dying on for many years, with many R3 presenters of whom Tom Service is undoubtedly ahead of the pack. His/their colleagues on German or French radio don`t behave in this asinine manner.

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