La Scala relay of Die Walkűre
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I've seen Met HD relays of Verdi's Macbeth and Tristan. The former was a great experience, with the Southampton cinema audience applauding numbers and generally treating it like live theatre. You get close-ups, and therefore views, you can't get in the opera house. The Met broadcasts - I'm going to see Don Carlos next Saturday - keep running during the intervals with backstage interviews with singers and technical staff, and you can still nip out for a coffee or a pee without any great disturbance to others as they put the house lights up for this bit. I think it's a wonderful experience and a terrific way of employing new technology. That said, the Tristan was inevitably static, which the director tried to compensate for with a lot of split-screen wizardry. No doubt there'll be static moments in Walkuere too! I've not seen Showcase, nor anything from La Scala. But I'd guess it would be worth a trip to Leeds. I've already bought my ticket for the Met's Walkuere in May '11. BW, kb
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Cavaradossi
Will be at the Odeon Covent Garden for this. Sure it will be interesting, just a shame that Rene Pape decided to cancel his Wotan debut back in October. The last I read Vitalij Kowaljow will take his place.
I hope you enjoy JimD, I saw the La Scala Aida a few year back (recorded for cinema) but was of a high quality, similar to that of the Met HD productions.
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Originally posted by kernelbogey View Postthe ... cinema audience applauding numbers and generally treating it like live theatre.
Anyway, I won't be able to see the La Scala Walkure as Showcase cinemas don't seem to think that anyone in Scotland wants to see it. The Met broadcasts have been shown in Glasgow so I'll look out for their Walkure.
(an interesting - rather heavy-weight - choice for Scala's season opening, which traditionally is more an event for showing off your jewels & furs than seeing an opera!)
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Edited to correct my getting the wrong end of the spear entirely: I was confusing this with the NY Met relays. Apologies.Last edited by Bert Coules; 03-12-10, 13:49.
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Originally posted by JimD View Post
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Thanks folks. I only found it by chance when looking for times of Harry Potter for my daughter. Not certain whether I can get there as clearing 5 hours or so starting at 4pm isn't easy at short notice. But that's Wagner for you. Maybe Syd could suggest a way to 'fix' it by removing an Act or two.
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Cavaradossi
I'd like to be there myself, but 4.00 p.m. in Leeds is too early to get to after work.
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I see the opening night of La Scala's Die Walkure is going to be broadcast on france musique:
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Correction - Ambleside!
HUGE orchestra DB had assembled!
Vitaly Kowaliow was a young but v.fine Wotan - costume and wig very, very silly, but voice in very good nick.
Nina Stemme - top rate, big tone, absolutely dominated.
Ektarina Gubanova - searing as Fricka. Commanding presence and voice, formidable woman and no wonder Wotan crumbled.
Waltraud Meier - Sieglinde - anxious, battered wife, lights up with her twin, bit shrill at the very top, but fina acting. Better as the frightened wife of Hunding than the lover?
Simon O'Neill - Siegmund. Mixed feelings. Voice faltered at times, went very nasal and somewhat sour, can't act to save his life, BUT some of the directions given to him seemed very pervers. If this is supposed to be a man of the wild woods, and wild places, then he just looked so lumbering and unathletic, but in a constant state of bowed down depression. Carried a big part, but he sounded unrelaxed the whole evening.
Barenboim and orchetra stars of the show.
Set was weird, unhelpful and in Act 1, just plain perverse and awkward for the actors.
Camera work: editing on the hoof was clumsy, frankly. Predictably we had a huge number of big whole screen face close-ups, in the process very often missed the bigger picture partic in Act 3 where I thought the camera work really messed up 'Lehb Wohl'. But they were not helped by having an overall very dark lighting plot, probably a heck of a lot better in the theatre.
But nevertheless delighted to be 'there' as it were.
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