Afternoon Concert - general thread

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  • Nick Armstrong
    Host
    • Nov 2010
    • 26538

    Originally posted by Serial_Apologist View Post
    & thanks - will have a listen tomorrow.
    It was the 3rd & 4th I enjoyed most (they were played in pairs at 3 points in the concert). The Brahms/Schoenberg connections struck me in the earlier ones.
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • JasonPalmer
      Full Member
      • Dec 2022
      • 826

      Enjoying

      c. 4pm
      Mozart: Clarinet Concerto in A major, K 622
      Jonas Frølund (clarinet)
      Danish Chamber Orchestra
      Adám Fischer, conductor
      Annoyingly listening to and commenting on radio 3...

      Comment

      • JasonPalmer
        Full Member
        • Dec 2022
        • 826

        Enjoying the afternoon concert before childcare duties start with me picking up my five year old from school, ian skelly has tweeted some bits to camera on his twitter id. How very modern.
        Annoyingly listening to and commenting on radio 3...

        Comment

        • edashtav
          Full Member
          • Jul 2012
          • 3670

          Weinberg: Cello Concerto
          Edgar Moreau (cello)
          Frankfurt Radio Symphony Orchestra
          Andres Orozco-Estrada (conductor)

          I was pleased to hear this significant 20th century concerto today on the 3pm highlighted spot because I’d never encountered it before but have enjoyed several other concerti by Weinberg : violin, flute and trumpet.
          The work,which probably dates from 1948-56, starts with a slow movement and that is succeeded by three faster ones with the finale revisiting the cello’s first melody from the initial slow movement. The scoring accommodates the cello well with the full brass only being deployed during relatively brief periods where the cellist has a rest.
          The heart of the work lies in the plangent, soulful,’Jewish’, first movement. To my ears, which have spent the last week studying Miaskovsky’s masterly WWII concerto, this owes a debt to NM and, I believe, that debt is acknowledged around bar 30 where the cello plays a quotation from the elder composer’s work: an anxious chromatic motif.
          Later movements are more varied in texture and are more ‘friend of Shostakovich’ in nature.
          The performance by the young French player, Edgar Moreau, was committed. He received excellent support from North German orchestra under the direction of Andres Orozco-Estrada.
          There are all too few ‘repertoire’ cello concerti and this one is deserving of more than an occasional outing.
          Last edited by edashtav; 05-06-23, 17:49. Reason: Typo

          Comment

          • Historian
            Full Member
            • Aug 2012
            • 645

            Thank you for the very helpful write-up edashtav. I was also listening and it was the first time that Weinberg's music had made much of an impression on me. Admittedly that says more about me than Weinberg. Will have to chase up the Miaskovsky concerto now.

            Comment

            • smittims
              Full Member
              • Aug 2022
              • 4165

              Just a note to say the Radio 3 Schedule for today (BBC site) wrongly lists Josep Pons as the conductor of the Prom performance of Rachmaninov's First Symphony. It was of course John Storgards, who is correctly identified in the details of what's played.

              Comment

              • Ein Heldenleben
                Full Member
                • Apr 2014
                • 6788

                Did I mishear or did the usually immaculate Penny Gore in her trail ahead chat for In Tune with Katie Derham describe the show’s on airtime of 17.00 as “the witching hour? “ Katie brushed it aside well ..immaculately.

                Comment

                • french frank
                  Administrator/Moderator
                  • Feb 2007
                  • 30302

                  Originally posted by Ein Heldenleben View Post
                  Did I mishear or did the usually immaculate Penny Gore in her trail ahead chat for In Tune with Katie Derham describe the show’s on airtime of 17.00 as “the witching hour? “ Katie brushed it aside well ..immaculately.
                  Toni Jordan in Addition says: 'For me.., midnight is not the witching hour. 4.00 is.'. So perhaps for Penny Gore it's 5 o'clock? (No innuendo intended)
                  It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                  Comment

                  • oddoneout
                    Full Member
                    • Nov 2015
                    • 9205

                    Originally posted by Ein Heldenleben View Post
                    Did I mishear or did the usually immaculate Penny Gore in her trail ahead chat for In Tune with Katie Derham describe the show’s on airtime of 17.00 as “the witching hour? “ Katie brushed it aside well ..immaculately.
                    Well not everyone is a KD fan of course so might consider it a happy Freudian slip...

                    Comment

                    • Dave2002
                      Full Member
                      • Dec 2010
                      • 18021

                      Originally posted by smittims View Post
                      Just a note to say the Radio 3 Schedule for today (BBC site) wrongly lists Josep Pons as the conductor of the Prom performance of Rachmaninov's First Symphony. It was of course John Storgards, who is correctly identified in the details of what's played.
                      Actually it was John Storgårds - perhaps!

                      Comment

                      • Bryn
                        Banned
                        • Mar 2007
                        • 24688

                        BBC Radio 3 dismisses Bartok's 3rd Piano Concerto and Viola Concerto as not up to "masterpiece" standard: https://www.bbc.co.uk/programmes/m001r24x

                        Comment

                        • Pulcinella
                          Host
                          • Feb 2014
                          • 10950

                          Originally posted by Bryn View Post
                          BBC Radio 3 dismisses Bartok's 3rd Piano Concerto and Viola Concerto as not up to "masterpiece" standard: https://www.bbc.co.uk/programmes/m001r24x
                          Presumably as he didn't complete them?

                          Comment

                          • smittims
                            Full Member
                            • Aug 2022
                            • 4165

                            Hmm. where does one draw the line between a 'masterpiece' and , erm, what is not...?

                            I remember Max Harrison (Gramophone, 1968) describing Gruppen and Carre as 'gilt-edged masterpieces', and while they are certainly my favourite Stockhausen, many would disagree. Some commentators use the word to label an artist's one finest work ('The Curlew is surely Warlock's masterpiece') .

                            I'm not sure I could call Bartok3 or viola conc. as such.

                            Comment

                            • Serial_Apologist
                              Full Member
                              • Dec 2010
                              • 37699

                              Originally posted by Bryn View Post
                              BBC Radio 3 dismisses Bartok's 3rd Piano Concerto and Viola Concerto as not up to "masterpiece" standard: https://www.bbc.co.uk/programmes/m001r24x
                              Nor the solo violin sonata, which (by any comparisons) one must surely call a masterpiece?

                              Comment

                              • Bryn
                                Banned
                                • Mar 2007
                                • 24688

                                Originally posted by Serial_Apologist View Post

                                Nor the solo violin sonata, which (by any comparisons) one must surely call a masterpiece?
                                Indeed. I have not listened to that for years. I must check out the currently favoured recordings, along with Gertler, Menuhin et al.

                                Comment

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