Originally posted by Serial_Apologist
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Afternoon Concert - general thread
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"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Weinberg: Cello Concerto
Edgar Moreau (cello)
Frankfurt Radio Symphony Orchestra
Andres Orozco-Estrada (conductor)
I was pleased to hear this significant 20th century concerto today on the 3pm highlighted spot because I’d never encountered it before but have enjoyed several other concerti by Weinberg : violin, flute and trumpet.
The work,which probably dates from 1948-56, starts with a slow movement and that is succeeded by three faster ones with the finale revisiting the cello’s first melody from the initial slow movement. The scoring accommodates the cello well with the full brass only being deployed during relatively brief periods where the cellist has a rest.
The heart of the work lies in the plangent, soulful,’Jewish’, first movement. To my ears, which have spent the last week studying Miaskovsky’s masterly WWII concerto, this owes a debt to NM and, I believe, that debt is acknowledged around bar 30 where the cello plays a quotation from the elder composer’s work: an anxious chromatic motif.
Later movements are more varied in texture and are more ‘friend of Shostakovich’ in nature.
The performance by the young French player, Edgar Moreau, was committed. He received excellent support from North German orchestra under the direction of Andres Orozco-Estrada.
There are all too few ‘repertoire’ cello concerti and this one is deserving of more than an occasional outing.
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Originally posted by Ein Heldenleben View PostDid I mishear or did the usually immaculate Penny Gore in her trail ahead chat for In Tune with Katie Derham describe the show’s on airtime of 17.00 as “the witching hour? “ Katie brushed it aside well ..immaculately.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Ein Heldenleben View PostDid I mishear or did the usually immaculate Penny Gore in her trail ahead chat for In Tune with Katie Derham describe the show’s on airtime of 17.00 as “the witching hour? “ Katie brushed it aside well ..immaculately.
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Originally posted by smittims View PostJust a note to say the Radio 3 Schedule for today (BBC site) wrongly lists Josep Pons as the conductor of the Prom performance of Rachmaninov's First Symphony. It was of course John Storgards, who is correctly identified in the details of what's played.
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BBC Radio 3 dismisses Bartok's 3rd Piano Concerto and Viola Concerto as not up to "masterpiece" standard: https://www.bbc.co.uk/programmes/m001r24x
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Originally posted by Bryn View PostBBC Radio 3 dismisses Bartok's 3rd Piano Concerto and Viola Concerto as not up to "masterpiece" standard: https://www.bbc.co.uk/programmes/m001r24x
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Hmm. where does one draw the line between a 'masterpiece' and , erm, what is not...?
I remember Max Harrison (Gramophone, 1968) describing Gruppen and Carre as 'gilt-edged masterpieces', and while they are certainly my favourite Stockhausen, many would disagree. Some commentators use the word to label an artist's one finest work ('The Curlew is surely Warlock's masterpiece') .
I'm not sure I could call Bartok3 or viola conc. as such.
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Originally posted by Bryn View PostBBC Radio 3 dismisses Bartok's 3rd Piano Concerto and Viola Concerto as not up to "masterpiece" standard: https://www.bbc.co.uk/programmes/m001r24x
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