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Truly excellent from the brilliant John Wilson. Always one of my favourite pieces and never heard such clarity as in this performance. Also a favourite performance, in a different way, this Prom performance from Previn. Brassy but exciting:
I'm sure there was a video posting of this on YT but can't find it now!
You mean the Previn/LSO Prom? I've a half recollection of seeing video of that but it could be a false memory. Can't find it now.
The BBCPO/Wilson was recorded in Manchester last September - no cameras present.
I remember being literally on the edge of my seat - takes an awful lot to do that these days. Constant ratcheting up of tension and almost malevolent enough to meet my probably unattainable ideal in this.
It probably helped that the BBCPO have played this piece a lot over recent years - with Yutaka Sado, Vasily Sinaisky, Juanjo Mena and possibly others. Really laying into it in the way it demands must take guts given the rhythmic challenges and limited rehearsal - I've heard more than a few slightly nervy performances from top rank orchestras. It also helps having Paul Turner's undiminished brilliance driving the orchestra from the timps...
It sticks in the mind for being on the Saturday in September which was the very last day of glorious weather before someone flicked a switch suddenly tipping us into 6 months of rain. Who'd have thought our troubles were only just beginning?
Not that long before, Wilson did the Walton with the Philharmonia - it was ok but all a bit pedestrian by comparison. Such is the mercurial nature of live performance. I'd happily sit through a second rate one right now!
The BBCPO/Wilson was recorded in Manchester last September - no cameras present.
I remember being literally on the edge of my seat - takes an awful lot to do that these days. Constant ratcheting up of tension and almost malevolent enough to meet my probably unattainable ideal in this.
It probably helped that the BBCPO have played this piece a lot over recent years - with Yutaka Sado, Vasily Sinaisky, Juanjo Mena and possibly others. Really laying into it in the way it demands must take guts given the rhythmic challenges and limited rehearsal - I've heard more than a few slightly nervy performances from top rank orchestras. It also helps having Paul Turner's undiminished brilliance driving the orchestra from the timps...
Envious, Simon B! Would love to have attended that performance. Thanks for your description.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
“a version of this much-recorded symphony that competes with the finest ever, and outshines most”
....EG in the Gramophone. But about which, often overlooked recording, d'you think?
Bryden Thompson?
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Colin Davis/LSO Live (2006)?
The Naxos recording mentioned above is also admirable.
Um... but Bryn’s link sources the quote from Gramophone mentioned by Jayne...
(I also have the Davis / LSO but recall it being somewhat uninvolving - one of the ‘dry Barbican’ LSO Live recordings, iirc)
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Yes. I cheated and just stuck the quote in an Internet search engine.
Nice one, Sherlock
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Yes. I cheated and just stuck the quote in an Internet search engine.
......thats the way to do it...!
There are a few Walton 1sts that hit the spot in their different ways, Previn perhaps sui generis, but there is something truly special about the Daniel...it glows out of every bar. Shows there's more to rhythm than just being on the cut-and-button. The full G-review is in 2/98.
The same performers followed it up with a marvellous Hindemith Variations a few years later, which I soon came to prefer to the Szell...
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