Hard to believe he is a nonagenarian. Last night CSO concert was a gem, featuring the Mozart 23 PC and the Brahms Second that was glowing. The soloist, a French Pianist named Bernard Chemoyen, was fine but Blomstedt would positively bound off the podium to congratulate players. Long may he reign
Blomstedt
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Originally posted by richardfinegold View PostHard to believe he is a nonagenarian. Last night CSO concert was a gem, featuring the Mozart 23 PC and the Brahms Second that was glowing. The soloist, a French Pianist named Bernard Chemoyen, was fine but Blomstedt would positively bound off the podium to congratulate players. Long may he reign
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Originally posted by cloughie View PostGood to hear - one of a number of good conductors who have done a great job over many many years with very good performances and recordings but somehow have been somewhat under the radar - I recently bought his San Francisco Years box which is excellent.
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Originally posted by BBMmk2 View PostI thought for a moment he had died! Congratulations to this amazing man!
His first Nielsen Symphony cycle, with a Danish Orchestra, was a budget priced 3 lp set and my first exposure to Nielsen. His complete Beethoven and Schubert Symphony cycles with the Dresden Staatkapelle weren’t released here at the time of their recording, but eventually as really inexpensive Brilliant reissues. My favorite SFSO recordings were his Richard Strauss, Carmina Burana, and the Hindemith Symphonic Metamorphosis.
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Originally posted by richardfinegold View PostI was hesitant about purchasing those tickets—what if something happens to him, he will be 93 years old, etc—but after this concert I went ahead and did so.
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Originally posted by Sir Velo View PostHis series of the Nielsen symphonies with the SFSO will always be the benchmark for me.
All of his Bruckner is worth close attention, most of all the MDR Leipzig Cycle, with topnotch recordings of the original 2 and 3...
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Reviews of this CSO concert:
Chicago Tribune: https://www.chicagotribune.com/enter...ffi-story.html
Chicago Classical Review: https://chicagoclassicalreview.com/2...irited-brahms/
It appears that the pianist didn't play an encore, which seems a shame as there looked to be plenty of time for one (or two). Perhaps the Tribune reviewer expressed something like reservations, but ultimately was won over. Will indeed have to keep an eye planned on the calendar for a year from now.
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Originally posted by bluestateprommer View PostReviews of this CSO concert:
Chicago Tribune: https://www.chicagotribune.com/enter...ffi-story.html
Chicago Classical Review: https://chicagoclassicalreview.com/2...irited-brahms/
It appears that the pianist didn't play an encore, which seems a shame as there looked to be plenty of time for one (or two). Perhaps the Tribune reviewer expressed something like reservations, but ultimately was won over. Will indeed have to keep an eye planned on the calendar for a year from now.
One endearing moment of this wonderful concert: During the Mozart Concerto, there are many passages where the Pianist plays sans Orchestra. Blomstedt quite visibly keeps time during these intervals with a right hand wrist action. During the slow movement, the soloist slowed at one brief interval to near stasis, and Blomstedt turned backwards and shot him a glance of irritation, and then the music resumed. It was quie amusing to see the nonagenarian Conductor telling the millennial to get on with it...
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Originally posted by jayne lee wilson View PostI actually prefer his Danish RSO versions, with wonderful recordings of the 3 Concertos along-with.... but everything Nielsonian changed after 2014-15....!
All of his Bruckner is worth close attention, most of all the MDR Leipzig Cycle, with topnotch recordings of the original 2 and 3...
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Originally posted by richardfinegold View PostHe is scheduled to return here next year, and Nielsen 5 is on the program. I was hesitant about purchasing those tickets—what if something happens to him, he will be 93 years old, etc—but after this concert I went ahead and did so.
His first Nielsen Symphony cycle, with a Danish Orchestra, was a budget priced 3 lp set and my first exposure to Nielsen. His complete Beethoven and Schubert Symphony cycles with the Dresden Staatkapelle weren’t released here at the time of their recording, but eventually as really inexpensive Brilliant reissues. My favorite SFSO recordings were his Richard Strauss, Carmina Burana, and the Hindemith Symphonic Metamorphosis.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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