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"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
. . . I have a 'thing' about the timbre of the voices of many female presenters, panellists, etc and I reach for the 'Off' button with many of them. . .
I've often wondered if I'm the only one - glad to see I'm not.
My life, each morning when I dress, is four and twenty hours less. (J Richardson)
I've often wondered if I'm the only one - glad to see I'm not.
Oh no, you're not!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
I have a 'thing' about the timbre of the voices of many female presenters, panellists, etc and I reach for the 'Off' button with many of them.
One sometimes wonders about their training (if any). Not surprising that presenters like Martin Handley - and Richard Baker - had early training, or performed, as actors. But now that the criteria for on-air presenters are different, the emphasis is on diversity in age, regional accent, social (&c) background, and there seems to be no consideration for voice quality that isn't purely 'natural' or untrained. Why should this matter more (if it does) when it comes to the presentation of classical music?
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
One sometimes wonders about their training (if any). Not surprising that presenters like Martin Handley - and Richard Baker - had early training, or performed, as actors. But now that the criteria for on-air presenters are different, the emphasis is on diversity in age, regional accent, social (&c) background, and there seems to be no consideration for voice quality that isn't purely 'natural' or untrained. Why should this matter more (if it does) when it comes to the presentation of classical music?
...so that it doesn’t sound as if the presenter is talking about our music? Although our in other stations seems perfectly all right
...Why should this matter more (if it does) when it comes to the presentation of classical music?
It doesn't. My loathing for some female voices extends to other channels. Radio 2, for instance, where I can't stand Zoe Ball or Sarah Cox. Moving back to Radio 3, I find that the choice of 'guest presenters' for many of these programmes they are putting out...you know, the ones where the presenter is a musician in an orchestra. Yes, they are skilled musicians. Their knowledge of classical music far exceeds mine but their vocal delivery...so many have absolutely zero inflection in their voices...no modulation...just a monotonous drone.
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