Originally posted by Nevilevelis
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Vienna Philharmonic New Year's Concert 2019
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Originally posted by Nevilevelis View PostAgreed! I would add Kerri-Lyn Wilson to the list. I've worked with her twice in London opera productions. She's excellent. I hope the managemnet permafrost will thaw soon, but as you say... :rolleyes:
NVV
I doubt the orchestra would invite a conductor they are unfamiliar with to conduct the NYD concert, so I would have thought one of the four named above have a better chance of being the first woman to lead the NYD concert than anyone else."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Nevilevelis
Originally posted by LHC View PostKerri-Lyn Wilson is one of only 4 female conductors to conduct at the Vienna State Opera, the others being Simone Young, Julia Jones and Speranza Scappucci. Scappucci has also led the Vienna State Opera Ball (replacing an indisposed Bychkov). I don’t think Marin Alsop has ever conducted the Vienna Philharmonic, or at the Opera.
I doubt the orchestra would invite a conductor they are unfamiliar with to conduct the NYD concert, so I would have thought one of the four named above have a better chance of being the first woman to lead the NYD concert than anyone else.
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Originally posted by LMcD View PostDid anyone who watched this year's concert happen to notice how many ladies there were in the VPO?
Nevertheless the music sounded still great to me.
It still disturbs me how Solti said the orchestra treated him.Last edited by Stanfordian; 02-01-19, 15:11.
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Originally posted by Stanfordian View PostJust the usual sprinkling. No brass or double basses.
What struck me most when listening to the music, which isn't a repertoire I listen to very often, was nothing to do with who was conducting and how wooden or animated his conducting was, but the great imagination of the music in terms either or both of melodic inventiveness and orchestration. Obviously the Strausses had a pretty classy ensemble available for their performances and an endless store of more or less extreme variations on the pool of Viennese turns of musical phrase. I thought the introduction to Sphärenklange, for example, was the equal of anything else being written around that time, harmonically not so far removed from the Munich Strauss in fact. I'm sure there are plenty of hidden gems that hardly get an outing even in this concert series.
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Originally posted by Prommer View PostAt least one non-sequitur there!Last edited by Stanfordian; 02-01-19, 15:28.
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