Originally posted by ahinton
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Gerald Barry Piano Concerto
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Originally posted by Alison View Post‘Fanfare like brassy stuff’ -
I fancy there’s too much of this in contemporary orchestral music.
The more I read of the brickbats and bored responses to this Barry piece, the more I'm intrigued to listen to it... (in amongst the Schumann and Holmboe - oh, the latter really loves the brassy stuff! No wonder I can't stop listening to it)...
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Originally posted by jayne lee wilson View PostHey, some of us like the brassy stuff! (in new music or especially in chamber-orchestral Schumann)
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As a tailpiece to this thread, I'll just say that eventually I got round to listening to the other works in the programme, Beethoven 4 and 5, and how rewarding they were too! The Britten Sinfonia worked their socks off for Ades (in the Barry as well of course, and Hodges appeared to be magnificent).
But, how curious that he did NOT do the first movement repeats, and missed one or two other repeats as well. I was REALLY looking forward to hearing that bassoon in the 1st M. expostion of the 4th a second time, and was denied!
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