Czech Philharmonic Monday 12/2/18 Manchester - with Alisa Weilerstein

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  • richardfinegold
    Full Member
    • Sep 2012
    • 7735

    #16
    Originally posted by Conchis View Post
    I really wish Czech orchestras didn't feel so obliged to play Dvorak when on tour!
    I left a quote in the Mahler section. Bychkov and Weilerstein and the Orchestra here in the Dvorak New World and Cello Concerto in November 2019.
    I just read a review of an Eloquence 3 CD issue of Karen Ancerl conducting the...Vienna Symphony! I have all of the Supraphon Gold Ancerl/Czech PO and there is some repertoire overlap but also a fair amount of Tchaikovsky. It should be interesting because the sonority of the Czech PO under Ancerl is pretty different from the Austrian Orchestras.

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    • Conchis
      Banned
      • Jun 2014
      • 2396

      #17
      Originally posted by Barbirollians View Post
      In Nottingham they are playing the Enigma and two movements from Ma Vlast , Basingstoke gets the Shostakovich 1 and the Symphonic Variations - Dublin gets the whole of Ma Vlast on Sunday - Spacek joined them to play the Dvorak Violin Concerto in Leeds.
      Aha! I thought you meant Shostakovich SYMPHONY 1! Not so: it's the First Cello Concerto, with the main part of the evening being the 'New World'.


      So much for Basingstoke being sophisticated, eh? The thought! :)

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      • Barbirollians
        Full Member
        • Nov 2010
        • 11751

        #18
        See my account of the Shostakovich CC No 1 that Weilerstein played with the Halle in Sheffield - the fact that the largely elderly audience found it " difficult " was palpable.

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        • Barbirollians
          Full Member
          • Nov 2010
          • 11751

          #19
          Originally posted by Conchis View Post
          I'm toying with the idea of Nottingham but a Czech Orchestra playing Elgar (and the Engima at that?)? It's very hard not to call Coals to Newcastle.

          Presumably Basingtoke gets the most adventurous programming because that is felt to be the most sophisticated audience?
          I would go Weilerstein is not to be missed in the Dvorak.

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          • Conchis
            Banned
            • Jun 2014
            • 2396

            #20
            Originally posted by Barbirollians View Post
            See my account of the Shostakovich CC No 1 that Weilerstein played with the Halle in Sheffield - the fact that the largely elderly audience found it " difficult " was palpable.
            By 'difficult', do you mean 'unfamiliar'? Like everything this composer wrote, it's eminently approachable.

            I'll never forget hearing two old ladies leaving an RFH concert of Elgar's Cello Concerto and 2nd Symphony:

            1st OL: 'I didn't like that at all! Far too discordant! But I liked the Cello thing....'

            2nd OL: 'Yes, nice young man (Truls Mork, as he then was) playing that.'
            Last edited by Conchis; 13-02-18, 12:10.

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            • Barbirollians
              Full Member
              • Nov 2010
              • 11751

              #21
              Sadly not - they clearly found it too rebarbative for them.

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