Originally posted by Boilk
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Tippett symphonies by The BBCSSO...
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Originally posted by pastoralguy View PostWell, it's difficult to give an opinion on one hearing but, imho, there WAS a lot of Sibelius in it which is hardly surprising but it still had plenty of Tippett in it. A good symphony but definitely not a great symphony. Will it gain a foothold in the repertoire?
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Originally posted by Bryn View PostOne thing I find annoying re. Radio 3 broadcasts of the series is that I can find no accurate reference to a broadcast of the 2nd with the BBCSSO/Brabbins. A Barbican performance by the BBCSO/Brabbins performance was broadcast a couple of years or so back but a search using Google find only the Radio 3 in Concert recording broadcast last February which advertised the 2nd but actually had the 1st. Does anyone here know any better?
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Originally posted by Alison View PostI found a concert listing for 9 February with broadcast on St Valentines Day last year. Haydn and Ravel also on the programme.
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Originally posted by Alison View PostThat is odd!
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Originally posted by LMcD View PostFair comment, I would say.
It's perhaps a curious coincidence that he was working on that B flat Symphony at the same time as Elgar was trying to get going on the third symphony that he would never write and then Anthony Payne's realisation of that symphony was premièred within weeks of Tippett's death in 1998.
I did not even know of the work's existence until Humphrey Searle mentioned it to me when I was studying with him. He had attended a performance of it in the 1930s and, coincidentally, made an observation similar to Brabbins' in questioning why Tippett had finally decided to call time on it just because he'd moved on a long way since then, a step which struck HS as less than logical despite Tippett having done just that; I believe that he was right here, especially given that Tippett never turned against his works from the first piano sonata to A Midsummer Marriage and the Piano Concerto just because his works from the 60s and early 70s had "moved on" from them (which indeed they had in many ways).
I have to admit that I was less than convinced by it than some, although pleased that it had at last been given the exposure that it nevertheless deserved. It's certainly accomplished, although the pointers to the later Tippett seemed few and far between, fascinating though they were; I also found almost as much Nielsen in it as I did Sibelius. Although it struck me as a work by someone without an individual voice, it also strongly suggested that its composer was well on his way to finding one, which he did quite soon after completing it. The officially numbered 1, 2 & 4 are far stronger and more convincing symphonies. Discretion persuades me not to mention 3...
I've never forgotten Britten urging me to get to know as many of Tippett's works as I could, adding that, when he (BB) begins work on a piece he always knows what he's doing but, even though when Tippett does so he often seems not to, "just look at the results he gets!". I wonder if Britten ever heard Tippett's B flat Symphony...
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