Originally posted by Barbirollians
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Barbirolli, as was his wont, would have recorded it with the full section doubling the parts and this is what she objected to.
By the way, the 4th horn in this period was a man named Raymond Meert (whose son Charles Meert I knew in the early 70s when he was a 'cellist in the BBC Northern). He had been 1st horn and had come out of retirement in order to help with the war effort (as did Alphonso Trevisone in Bournemouth and Hornspieler can tell us a lot more about that). He apparently "resented playing down the line to two girls" (Ms Gollancx's words). Hmmm!
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