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Personally I love the sound of her voice, although her enunciation is sometimes unclear. For me she is perfect as Sieglinde, and I like her Strauss and Schubert recordings too.
I hear it as a plain voice that gives easily under pressure and tends to sound strained when handling the higher notes.
Hear also: Anja Silja.
Stop dodging my question. You said maybe your issue is with the 'white' voice. Why do you describe it this way? What is this 'white' business? Just come clean.
Personally I love the sound of her voice, although her enunciation is sometimes unclear. For me she is perfect as Sieglinde, and I like her Strauss and Schubert recordings too.
Her Four Last Songs was the first one I heard - I like it more for Karajan's contribution than for Janowitz'. Oddly enough, I prefer Shwarkopf/Szell to Janowitz/Karajan.
Janowitz was also the first Sieglinde I heard; but when I heard Crespin's assumption (for Solti), I felt that this was 'the real deal.'
Stop dodging my question. You said maybe your issue is with the 'white' voice. Why do you describe it this way? What is this 'white' business? Just come clean.
I can't be bothered bandying words with people who don't deserve explanations. If you want to know what a 'white' voice, go and do your own research.
Personally I love the sound of her voice, although her enunciation is sometimes unclear. For me she is perfect as Sieglinde, and I like her Strauss and Schubert recordings too.
Surprised to find how few solo recitals I have on CD. They are Strauss Orchestral songs with Stamp and the famous Karajan Vier Letzte. And the two double CDs of Schubert Lieder with Irwin Gage. They are all favourite discs.
Surprised to find how few solo recitals I have on CD. They are Strauss Orchestral songs with Stamp and the famous Karajan Vier Letzte. And the two double CDs of Schubert Lieder with Irwin Gage. They are all favourite discs.
Obviously room on your shelves for this, then, gurne:
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