Haydn, Mahler: BBCSSO/Dausgaard. Mon 22/5/17

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  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    Haydn, Mahler: BBCSSO/Dausgaard. Mon 22/5/17

    Did anyone else listen to this? I was greatly looking forward to it - Dausgaard has led some wonderful concerts with the BBCSSO in recent months, and Mahler #7 (one of my favourite works) seemed to be exactly the sort of work that he would do well. I was greatly disappointed with the Haydn #88 - sounding like a dress rehearsal run-through, rather than a concert performance. The first four movements of the Mahler made up for this - a very fine performance indeed - but the Finale??!! Desperately rushed through, I thought, with an idea of structure and pacing that I couldn't recognise from the score. What do I know? The audience in Glasgow cheered as if they'd heard something very special - maybe in the Hall, there was a thrill that I didn't detect over the digital airwaves.

    Thomas Dausgaard conducts the BBC Scottish Symphony Orchestra in music by Haydn and Mahler
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
  • Alison
    Full Member
    • Nov 2010
    • 6474

    #2
    In the finale it did sound as if the orchestra hadn't played the work for a long time. From the rushed and ill defined timpani solo onwards (few are the players who nail this passage) much of it felt a bit approximate. Even in the helter skelter a shade more poise is required!
    Last edited by Alison; 22-05-17, 22:22.

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    • ferneyhoughgeliebte
      Gone fishin'
      • Sep 2011
      • 30163

      #3
      Originally posted by Alison View Post
      In the finale it did sound as if the orchestra hadn't played the work for a long time. From the rushed and ill defined timpani solo onwards (few are the players who nail this passage) much of it felt a bit approximate. Even in the helter skelter a shade more poise is required!
      I'll say!!! Absolutely nothing of the written rhythm came across (although this might have been a poorly-judged microphone placement - or the performer's exercising his freedom not to be restrained by what the composer wrote; I mustn't adopt the moral highground). Yes - more "poise" (placement and timing) is essential to getting the helter-skelter (good analogy ) to sound more frenetic!
      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        #4
        I didn't enjoy this performance. Yes the playing wasn't not top notch. I hope for more improvement. I always enjoyed their concerts under Donald Runnicles. Mahler 9 this evening!
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

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        • Alison
          Full Member
          • Nov 2010
          • 6474

          #5
          Try CSO/Solti for another botched timpani solo.

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          • Alison
            Full Member
            • Nov 2010
            • 6474

            #6
            Jamie McDougall at his garrulous worst too at the end of the concert before passing over to a dreamy Kate Molleson who made a complete horlicks of announcing tonight's Barbican concert

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            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #7
              I've moved the relevant posts on the Haitink/LSO Mahler #9 to a Thread of its own - seemed more appropriate, and I hope nobody objects.
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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