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Have a hunch that I've written about this before but I've just set aside for yet another viewing, an off-air video, now on DVD; Masterworks: Six Pieces of Britain, recorded on BBC 2,
31 July '99; a performance of Serenade for Tenor, Horn and Strings, recorded in Blythburgh Church, Suffolk,with Ian Bostridge, free of mannerisms, Horn soloist, Timothy Brown, and Sir Colin Davis/strings of the BBC SO. The documentary with splendid coverage of the Suffolk coastline, presented by Michael Berkeley, includes a full performance of the work. Refreshing viewing.
Have a hunch that I've written about this before but I've just set aside for yet another viewing, an off-air video, now on DVD; Masterworks: Six Pieces of Britain, recorded on BBC 2,
31 July '99; a performance of Serenade for Tenor, Horn and Strings, recorded in Blythburgh Church, Suffolk,with Ian Bostridge, free of mannerisms, Horn soloist, Timothy Brown, and Sir Colin Davis/strings of the BBC SO. The documentary with splendid coverage of the Suffolk coastline, presented by Michael Berkeley, includes a full performance of the work. Refreshing viewing.
Stanley: I'd be very interested in your views if you can manage to Listen Again to this week's performance!
I keep hitting the Escape key, but I'm still here!
still intrigued by your OP, ( and thanks for flagging this up and inspriring some listening), I've had listen on better kit now.
If somebody told me that Bosto was a bit under the weather, I'd believe them. There seemed to be a bit of a struggle in the third stanza of Nocturne, in particular, and certainly a couple of moments, such as the final " excellently" in Hymn, which is a tricky moment in any case. There was also an undeniable very harsh edge in some of the first lines of the stanzas in Dirge. I got the feeling that this was deliberate effect, but I could be wrong.
Also, certainly there was the the occasional odd pronunciation thing, but you have to wonder after 20+ years (?) of performing this work, perhaps there is a temptation to try new, different, or even more intense performance elements , that might not always work? Just a question, anyway.
I still wouldn't have been disappointed ( I think) if I'd been there, but I guess it may have been some way off his best.
( Better than this afternoons Saints game at any rate, by the sound of it. ........)
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
Stanley: I'd be very interested in your views if you can manage to Listen Again to this week's performance!
Thanks, LMP. I'm not a musician but instinctively found the Britten Serenade rather fragmentary which is why I opted for the 1999 performance on DVD, particularly the rehearsal sequences with Colin Davis, as a more tempting alternative this weekend. I'm also keen to stay within the Aldeburgh precincts by listening to the remastered CD's; Rostropivich, Britten & Pears, Live at the 1961 Aldeburgh Festival, (Testament) as mettle more attractive.
There was also an undeniable very harsh edge in some of the first lines of the stanzas in Dirge. I got the feeling that this was deliberate effect, but I could be wrong.
I'm sure it was deliberate...or should I say, calculated?
Also, certainly there was the the occasional odd pronunciation thing
I think one could pick out quite a few 'odd pronunciation things' from Pears...some being of the Dudley Moore variety...but that's the way it became embedded in the memory. Mine anyway..
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