Thanks Pet!
New Year's Day Concert 2017 VPO/Dudamel
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Richard Tarleton
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Originally posted by Richard Tarleton View PostI'm looking forward to the ballet bits, and to the scenes from the Viennese countryside
(No, really )
Presumably the ballet bits are pre-recorded - looks like summer, and how are the dancers syncing to the music in the hall?
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Originally posted by Alison View PostLike Richard, I rather enjoy the extras. Some good looking dancers are no hindrance to pleasure!
Wonderful playing, agreed. The Dude is bringing some youthful vigour to this, for which many thanks, fan as I was of Pretre, who had bottled a more vintage fizz...
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Interesting rules for the VPO:
* Only a musician who plays in the Vienna State Opera Orchestra (originally Court Opera Orchestra) can become a member of the Vienna Philharmonic
* The orchestra is artistically, organizationally and financially autonomous, and all decisions are reached on a democratic basis during the general meeting of all members.
*The day-to-day management is the responsibility of a democratically elected body, the administrative committee.
Other orchestras have rules, but probably few require a link to opera.
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Originally posted by Alison View PostI will also take the opportunity of pointing out, as happens annually in this parish, that the Danube is not blue.
So the Danube, which looks almost black, sourced in the Black Forest and ending in the Black Sea, really is blue.
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Originally posted by Dave2002 View PostInteresting rules for the VPO:
The first rule, linking performance in opera is one which would be difficult for many orchestras, not being near anywhere where opera is an option, but could it be helpful for a few? Possibly a factor in the way the VPO plays.
Other orchestras have rules, but probably few require a link to opera.
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Originally posted by pastoralguy View PostThat was always Sir Alexander Gibson's dream for orchestral music in Scotland. His plan was to have an orchestra that would combine Scottish Opera duties with being a symphony orchestra. Alas, the SNO players had other ideas.
I don't think all ballet has to be like that, and some performances could probably benefit from conductors with a bit of imagination, but what do I know?
Obviously there might have to be compromises, but is that impossibly bad?
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