Braille music is an adaptation of verbal Braille, not a sepatate system as ordinary musical notation is, and is therefore very clumsy. She said she was often asked how she knew when to come in - she replied that she could sense this from the breathing of the others, but observed that she sometimes kept better time than the sighted singers who should have been watching the conductor!
A blind singer will always be at a disadvantage when working with sighted musicians. It would have been good to know more about how this group evolved techniques which would not have needed to make any such compromises
A blind singer will always be at a disadvantage when working with sighted musicians. It would have been good to know more about how this group evolved techniques which would not have needed to make any such compromises
I know little about Braille music. However in France, some musical kids (and I think it was just boys) who were blind went to l'Institut National des Jeunes Aveugles and were able to study the organ. (I think Gaston Liaize was one such.) This may be why there is a great tradition in France for playing from memory and for improvisation.
If anyone knows more about this it would be interesting to hear. (I vaguely remember a BBC Radio 4 play about it, but that was probably ages ago.)
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