Rattle's 'Eroica', Afternoon on 3, Fri 14 Oct

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  • silvestrione
    Full Member
    • Jan 2011
    • 1722

    Rattle's 'Eroica', Afternoon on 3, Fri 14 Oct

    This was a blistering performance. I was completely absorbed. I felt that orchestra and conductor were one (at last: it's taken me a long time to feel, to get the sense from the music-making, that Rattle really has them with him all the way). I thought a great performance, going with the Toscanini, Furtwangler, Karajan, and Norrington. And, though I'm not an expert in such things, i thought it was an appropriate approach for the Berlin Phil, completely IN their great tradition of performances of this symphony, free of the HIPP 'tweaks' he tried with his VPO versions.

    After I'd listened and had these thoughts, I opened my new Gramophone in the evening, and there was a review of the same concert, on DVD, by Richard Osborne, in which he says if this had come out in time, it would have been virtually at the top of recent performances in his survey in the previous month's Gramophone Collection article.

    Anyway, thought I'd flag it up in case people had not noticed it: catch it while you can!

    (Admin might want to combine this thread with the Vilde Frang Mendelssohn one, the same concert.)
  • Sir Velo
    Full Member
    • Oct 2012
    • 3258

    #2
    And here's a link.

    Nice photo of the great man too.

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    • Keraulophone
      Full Member
      • Nov 2010
      • 1967

      #3
      A very satisfying performance, but can anyone tell me why those famous first two chords are not played together? The tympanist is well in front of the rest of the orchestra. Surely this couldn't have been unintentional? The beautifully played flute solos, especially in the finale, are balanced as if this were a flute concerto.

      Coincidentally, I was listening to NYPO/Bernstein (1964) earlier today and thought it a fabulous performance. One Amazon reviewer refers to it as 'Toscannini in much better sound'; a bit of an oversimplification, but I know what he means. It has an interesting appendix: LB discussing 'How a Great Symphony Was Written.'
      Last edited by Keraulophone; 15-10-16, 18:50.

      Comment

      • silvestrione
        Full Member
        • Jan 2011
        • 1722

        #4
        Originally posted by Keraulophone View Post
        A very satisfying performance, but can anyone tell me why those famous first two chords are not played together? The tympanist is well in front of the rest of the orchestra. Surely this couldn't have been unintentional?
        I think it is unintentional. They are almost together on the second one! This performance is obviously unedited, unpatched 'live', and there are one or two inevitable imperfections.

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