Originally posted by richardfinegold
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To my ears the whole piece seems riddled with very familiar-sounding passages from a certain other composer and the 3rd Movement is so 'Mahler' I can almost see him! Of course it was actually a case of Mahler being, rather blatantly, a lot of Rott!
Any Bruckner influence is maybe less obvious and rather more subtle, but at certain points it does exist, imv, and I feel sure Old Anton would have nodded approvingly on hearing/seeing the conclusion of the slow movement, for instance?
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