Anyone else notice the 'revised' ending of today's lunchtime performance of the Schumann C major Fantasy - the usual closing bars plus the Adagio ending of the first part of the piece, where he quotes An die ferne Geliebte. I presume it wasn't an editing fault(?) and don't recall hearing this before but it actually worked very well.
Did Schumann intend that?
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Ah, that would explain it, many thanks.
I've never heard it played before in that version but having Googled, I found the following for anyone else interested in this somewhat arcane point: http://www.henle.de/en/schumann-anni...n-b-minor.html
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