The choir (King's College & CUMS Chorus) sounded rather odd during the Widor.
BBC Concert Orchestra and Thomas Trotter - Widor, Berlioz, Saint-Saens 11/11/15
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O dear! O dear! O dear! I couldn't believe what I was hearing. The wonderful Widor's toccata WITH WORDS ADDED. It doesn't need words and when the choir and organist are not performing at the same speed, it is even more weird, bizarre, outrageous. I was even more amazed to hear that the words had been added by the late Sir David Wilcocks a musician for whom I have the greatest respect and admiration. O dear!
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Originally posted by AjAjAjH View PostO dear! O dear! O dear! I couldn't believe what I was hearing. The wonderful Widor's toccata WITH WORDS ADDED. It doesn't need words and when the choir and organist are not performing at the same speed, it is even more weird, bizarre, outrageous. I was even more amazed to hear that the words had been added by the late Sir David Wilcocks a musician for whom I have the greatest respect and admiration. O dear!
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Can anyone speak up for Samuel Barber's "Agnus Dei" (vocalisation of the Adagio for strings). The only reason I can think of, is purely promotional/commercial - to capitalise on the success of the string piece by selling the music and bringing his music to an even wider audience. (I think you can tell, I haven't enjoyed singing the piece....).
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No, I can't. I've sung the bloody thing so many times...along with the choral version of Nimrod (lux aeterna)...that I never want to hear it again. Mind you, audiences like it. As far as the Widor is concerned, that's a bit of fun on Willcocks' part, surely? I remember choristers humming the pedal tune under their breath at weddings...so it seems quite a natural thing to do.
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