'What a terrific concert!' said Martin Handley at the end of Sir Antonio's first appearance at the Barbican as the LSO's new Principal Conductor in September, which has just been broadcast - how right he was!. I shall certainly listen again to James MacMillan's Concerto for Orchestra, which was co-commissioned by some half-a-dozen orchestras in different parts of the world. There was a marvellously thrilling urgency to the Sibelius 1st Symphony at times.
Pappano and the LSO
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Originally posted by Ein Heldenleben View Post
Had its moments but I was somewhat taken aback by the poor string sound which was a surprise since Pappano usually got a very refined one out of the ROH orchestra. Could be the sound balance but hmmm….
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Originally posted by jonfan View Post
The Barbican is notoriously difficult for sound balancers but this awful string sound wasn’t their fault. Hope this is just an off night!
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Originally posted by jonfan View Post
The Barbican is notoriously difficult for sound balancers but this awful string sound wasn’t their fault. Hope this is just an off night!
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Originally posted by Ein Heldenleben View Post
Did you notice it ? It was really marked I thought . I gave up LSO concerts after two Gergiev concerts left me with terrible tinnitus . It’s all too loud and you can’t hear the woodwinds at all over the overloud brass who are bang up against a reflective surface.
I also heard the Royal Concertgebouw in the same piece, again in the Barbican though mercifully without the brass problem. The LSO brass do need to turn the volume down otherwise the audience will be sent home with hearing damage.
I'm being more careful which LSO concerts I attend in the Barbican now."The sound is the handwriting of the conductor" - Bernard Haitink
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