Pappano and the LSO

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  • LMcD
    Full Member
    • Sep 2017
    • 8681

    Pappano and the LSO

    'What a terrific concert!' said Martin Handley at the end of Sir Antonio's first appearance at the Barbican as the LSO's new Principal Conductor in September, which has just been broadcast - how right he was!. I shall certainly listen again to James MacMillan's Concerto for Orchestra, which was co-commissioned by some half-a-dozen orchestras in different parts of the world. There was a marvellously thrilling urgency to the Sibelius 1st Symphony at times.
  • DracoM
    Host
    • Mar 2007
    • 12993

    #2
    Sorry, thought tonight's Sibelius was flaccid.

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    • Nick Armstrong
      Host
      • Nov 2010
      • 26575

      #3
      Originally posted by LMcD View Post
      marvellously thrilling urgency
      Originally posted by DracoM View Post
      flaccid
      Going to have to listen to it now, aren’t I ?



      "...the isle is full of noises,
      Sounds and sweet airs, that give delight and hurt not.
      Sometimes a thousand twangling instruments
      Will hum about mine ears, and sometime voices..."

      Comment

      • Ein Heldenleben
        Full Member
        • Apr 2014
        • 6962

        #4
        Originally posted by DracoM View Post
        Sorry, thought tonight's Sibelius was flaccid.
        Had its moments but I was somewhat taken aback by the poor string sound which was a surprise since Pappano usually got a very refined one out of the ROH orchestra. Could be the sound balance but hmmm….

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        • jonfan
          Full Member
          • Dec 2010
          • 1450

          #5
          Originally posted by Ein Heldenleben View Post

          Had its moments but I was somewhat taken aback by the poor string sound which was a surprise since Pappano usually got a very refined one out of the ROH orchestra. Could be the sound balance but hmmm….
          The Barbican is notoriously difficult for sound balancers but this awful string sound wasn’t their fault. Hope this is just an off night!

          Comment

          • LMcD
            Full Member
            • Sep 2017
            • 8681

            #6
            Originally posted by jonfan View Post

            The Barbican is notoriously difficult for sound balancers but this awful string sound wasn’t their fault. Hope this is just an off night!
            Fortunately my unsophisticated little radio isn't able to bring these shortcomings to my attention - I just sat there and enjoyed the whole thing!

            Comment

            • Ein Heldenleben
              Full Member
              • Apr 2014
              • 6962

              #7
              Originally posted by jonfan View Post

              The Barbican is notoriously difficult for sound balancers but this awful string sound wasn’t their fault. Hope this is just an off night!
              Did you notice it ? It was really marked I thought . I gave up LSO concerts after two Gergiev concerts left me with terrible tinnitus . It’s all too loud and you can’t hear the woodwinds at all over the overloud brass who are bang up against a reflective surface.

              Comment

              • Petrushka
                Full Member
                • Nov 2010
                • 12328

                #8
                Originally posted by Ein Heldenleben View Post

                Did you notice it ? It was really marked I thought . I gave up LSO concerts after two Gergiev concerts left me with terrible tinnitus . It’s all too loud and you can’t hear the woodwinds at all over the overloud brass who are bang up against a reflective surface.
                Yes, I had a similar problem with overloud brass at a performance of Turangalila at an LSO concert with Simon Rattle last year. The subsequent broadcast, however, sounded fine.

                I also heard the Royal Concertgebouw in the same piece, again in the Barbican though mercifully without the brass problem. The LSO brass do need to turn the volume down otherwise the audience will be sent home with hearing damage.

                I'm being more careful which LSO concerts I attend in the Barbican now.
                "The sound is the handwriting of the conductor" - Bernard Haitink

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