Originally posted by french frank
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FNiMN
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Originally posted by oddoneout View Post
Lesser of two evils? Is that why you've not been afraid to voice liking the morning schedules?
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Originally posted by antongould View Post
IMVVHO neither is evil …… I’m happy to say R3 suits me fine, and as vints pointed out recently, this group is probably not the place for me …. but you are all such nice people ……
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Originally posted by antongould View Post
as vints pointed out recently, this group is probably not the place for me ….
I really value your contributions and presence. And this place is surely big enough for all of us?
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Originally posted by LMcD View Post
Rather than worrying about what current Radio 3 listeners might prefer, perhaps young Jackson is more concerned with trying to work out what might be to the taste of possible future Radio 3 listeners.
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Originally posted by Roger Webb View Post
Why is there even a question as to whether William Alwyn should be played on Radio 3?!
Like many composers of film music - most obviously Vaughan Williams and William Walton - Alwyn wrote 'serious' music too: operas, piano concertos, symphonies (5), tone-poems, string quartets, sonatas and much other chamber music...particularly for flute - he was one of the best flautists in London before concentrating on composition. To fund his 'serious' works he needed an income (and to fund his purchase of Pre-Raphaelite paintings) so he turned to film.
BTW, he was a fluent French speaker and made many translations of the French poets (might even prick Vinteuil's interest, if not his music).....and still had time to paint some accomplished canvases in a Fauvist manner (see covers of the Chandos recordings)
It might be instructive to read his autobiography 'Composing in words: William Alwyn on his art' (Toccata).....then we may be able to make a judgement about which of his works might be suitable for airing on Radio 3 - I've tried for years to have some of his played, with very little success.
Sir John Barbirolli commissioned and/or gave the 1st perf. of several of his symphonies.....surely they deserve to be heard, and where if not Radio 3?
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Originally posted by vinteuil View Post
... did I?? That would have been very unpleasant of me! If I ever implied such, I'm really sorry - perhaps you could PM me to let me know what I said?
I really value your contributions and presence. And this place is surely big enough for all of us?
.Last edited by LMcD; 02-06-24, 15:33.
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Originally posted by Serial_Apologist View Post
I remember at school (early 50s) watching a black and white documentary on the then still-living Matisse, showing him at work, for which Alwyn had composed some delightful Ravel-style piano music.
Don't suppose you know whether those piano pieces have been recorded....I have just about all the piano music of Alwyn that has been recorded and haven't noticed anything about Matisse in the booklets. His autobiog doesn't mention the film at all.....mind you he wrote reams of other film music that's not mentioned either, neither does Wiki list it.
Edit. I had forgotten that Alwyn's piano suite 'Contes Barbares' is his homage to Gauguin.Last edited by Roger Webb; 02-06-24, 15:45.
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Originally posted by vinteuil View Post
... o, we do, we do! I like to think that Anton and I understand each other pretty well - see recent contributions on the 'Essential Classics' thread. All sweetness and light...
It's when we can't agree about facts or factual statements - which don't alter just because one doesn't like them - that a degree of frustration creeps in.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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