Originally posted by Oliver
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G&S
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Originally posted by Wallace View PostAre G&S still loved and cherished hereabouts?
Can't see why people would have a problem with G&S????
I adore Gilbert and Sullivan. I have seen every opera, either in professional performances or amateur productions (many operas, three or four times).
My favourite is The Mikado. I took my family to an ENO Jonathan Miller production in 2006 which was fabulous. Having said that, some of the most enjoyable performances have been put on by amateurs.
I have the Decca box set of the D'Oyly Carte recordings, for whenever the urge takes me.
And the Mike Leigh film 'Topsy Turvy' with Jim Broadbent and Timothy Spall is an absolute must-watch!
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In my first term as a university music student, I joined the G & S Society - one of only two music students to be a member, the other being the M.D. I joined in order to be the rehearsal accompanist - every Tuesday and Thursday. However, the Music Dept required all of its students to buy a season ticket for the series of weekly Tuesday evening chamber concerts (which were rather good, with the likes of Peter Katin, Stephen Bishop (as he then was), Ossian Ellis and John Carol Case performing) and to attend every concert. I was given dispensation to support the G & S Society, but the situation emphasised the gulf of musical perception.
In the year after I left to do teacher training elsewhere, I returned to attend a performance of Gondoliers, and was pleasantly surprised to discover that there were now many music students involved, many of them having lead roles in the cast. The reason for the change? Rehearsals no longer clashed with the chamber concerts.
The moral is that musical snobbery need not interfere with appreciation of a particular style of music.
Incidentally, Pineapple Poll is rather good too. I got to know this via Mackerras's first ever recording of the work on 78s.
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MLF
I have often regarded G&S is a guilty pleasure. However, having listened to Iolanthe at the weekend (and attended Rocket Opera's splendid "Mikado" a week ago) I ask myself - why should I feel guilty for enjoying this?
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having listened to Iolanthe at the weekend
When in that House MPs divide
If they've a brain and cerebellum too,
They've got to leave that brain outside
And vote just as their leaders tell 'em to.
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Originally posted by ardcarp View Post...arguably Sullivan's finest, if not the most popular. And the political satire could apply just as much today:
When in that House MPs divide
If they've a brain and cerebellum too,
They've got to leave that brain outside
And vote just as their leaders tell 'em to.
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Originally posted by MLF View PostI have often regarded G&S is a guilty pleasure. However, having listened to Iolanthe at the weekend (and attended Rocket Opera's splendid "Mikado" a week ago) I ask myself - why should I feel guilty for enjoying this?
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Originally posted by agingjb View PostI like G&S, and I'm always a little disconcerted by the antipathy they inspire among some people. But then I reflect that there is not a single musical work in existence that someone here does not detest.
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