Vienna Philharmonic New Year's Concert 2024

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  • Nick Armstrong
    Host
    • Nov 2010
    • 26569

    Originally posted by Ein Heldenleben View Post
    To be fair he wasn’t wearing a tuxedo


    Fair enough!

    (I’ve never been sure what a ‘tuxedo’ actually means, our ‘DJ / black tie’ or more generally, formal dress of any kind - I suspect the former… so you’re right and I withdraw the allegation ​​​​​​ )
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • smittims
      Full Member
      • Aug 2022
      • 4322

      I think that in America a Tuxedo is simply a dinner jacket. But in England the word is often used to mean a white or cream dinner jacket, pioneered on the podium, in my recollection, by Colin Davis c.1967. His detractors called him 'the ice-cream man'.

      Comment

      • HighlandDougie
        Full Member
        • Nov 2010
        • 3106

        Originally posted by Nick Armstrong View Post

        I’ve just finished dipping into the TV recording I set while I was away…

        but I found there’s something fascinatingly awful about Thielemann. I can’t put my finger on it, just subtly grotesque. And when it got to his antics in the Radetzky March, it struck me he was like a tuxedo’d musical Donald Trump, patronising popularism in his gurning and gestures (including to players - twiddling fingers pointlessly indicating trills, etc). I found it an unsettling and creepy experience
        Put much more eloquently than I might manage ("unsettling and creepy", indeed). I'm sure that there is repertoire in which his reputed talents as a conductor blaze forth (Schumann symphonies?) but Strauss, Josef and Johann et al, don't seem to me to be part of it. Maybe I am being unfair - and his fans will leap to his defence - but I cannot but think of him as other than the Clemens Krauss de nos jours.

        Comment

        • Nick Armstrong
          Host
          • Nov 2010
          • 26569

          Originally posted by HighlandDougie View Post

          Put much more eloquently than I might manage ("unsettling and creepy", indeed). I'm sure that there is repertoire in which his reputed talents as a conductor blaze forth (Schumann symphonies?) but Strauss, Josef and Johann et al, don't seem to me to be part of it. Maybe I am being unfair - and his fans will leap to his defence - but I cannot but think of him as other than the Clemens Krauss de nos jours.
          I’m glad I’m not alone!

          I once sat Stalls front row centre at the ROH 6 feet behind him while he conducted Der Rosenkavalier - a sumptuous performance but the main thing I remember is being damn near asphyxiated by his astonishingly pungent cologne, wafts of which hit my nostrils with his every gesture! I admit this might colour my view of Herr T!!
          "...the isle is full of noises,
          Sounds and sweet airs, that give delight and hurt not.
          Sometimes a thousand twangling instruments
          Will hum about mine ears, and sometime voices..."

          Comment

          • oddoneout
            Full Member
            • Nov 2015
            • 9268

            I wonder if Thielemann decided that he needed to be "fun" for this occasion, but is rubbish at acting? Tory MPs and PMs come to mind for some reason...

            Comment

            • Alison
              Full Member
              • Nov 2010
              • 6468

              I’ve enjoyed this concert rather more ‘audio only’ via the stream available from today. No spurious applause in Waldmeister nor any complaints with the recorded sound. Part two really did need a better programme imho.

              Comment

              • Prommer
                Full Member
                • Dec 2010
                • 1260

                He excels in Strauss (R.) and Wagner.

                The ROH Rosenkavalier was notable for the length of the pause before he launched the trio.

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26569

                  Originally posted by Prommer View Post
                  He excels in Strauss (R.) and Wagner.

                  The ROH Rosenkavalier was notable for the length of the pause before he launched the trio.
                  That pause was excellent… I could breathe for a few seconds!
                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • Barbirollians
                    Full Member
                    • Nov 2010
                    • 11751

                    Originally posted by HighlandDougie View Post

                    Put much more eloquently than I might manage ("unsettling and creepy", indeed). I'm sure that there is repertoire in which his reputed talents as a conductor blaze forth (Schumann symphonies?) but Strauss, Josef and Johann et al, don't seem to me to be part of it. Maybe I am being unfair - and his fans will leap to his defence - but I cannot but think of him as other than the Clemens Krauss de nos jours.
                    Except Clemens Krauss was a far better conductor of Johann Strauss and Richard for that matter.

                    Comment

                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20572

                      I received the 2-CD set of this concert this morning, and I seem to be finding it every bit as good as most earlier NYD concerts. Yet I was less than impressed during the concert itself, which I watched live on TV.

                      Comment

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