Concerts you're glad NOT to have (had) tickets for...
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Originally posted by Barbirollians View PostAny concert that includes Carmina Burana .I went to see it once in Hong Kong - David Atherton's conducting suggested he appeared even more bored by it than me !
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Hot and cold for all
Leeds Mercury Saturday 22nd October 1864
(from a letter to the paper)
Another matter which the Town Council would do well to look at is the ventilation of the hall [Leeds Town Hall], and especially of the organ. This subject has been urged in your columns on several occasions. On Saturday night the heat in the room was excessive; a very perceptible mist hung over the audience, and even before the performance began the reeds of the organ were thrown wholly out of tune. I need hardly add that before the end the effect was simply excruciating. The amateurs who were waiting in the orchestra not only felt their voices suffering grievously from the heat, but from the necessity of having open doors were exposed to a cold draught, which left them in considerable doubt as to whether they would have any voice left when their turn came to sing. I am sure the Town Council might employ time well in remedying this evil.
I am, Gentlemen, yours obediently, MUSICUS
I'm reminded that Buckingham Town Hall suffered from a similar defect. When the "movies" arrived it was converted to be the town's cinema. On wet, wintry days, the steam would rise from its audience. But... help was at hand, in the ice-cream interval some of the usherettes would spray the dank customers with free scent!
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Reminds one of another 19th century event (22 December 1808, to be precise) which though superficially attractive and historically fascinating, might have been a challenge even if one could go back with 21st Century thermal undergarments, headgear and footwear... The uncomfortable seating... the standard of the playing...
If the initial reviews failed to recognize it as one of the greatest pieces of music ever written, one needs to understand the adverse conditions under which the piece was first heard. The concert venue was freezing cold; it was more than two hours into a mammoth four-hour program before the piece began; and the orchestra played poorly enough that day to force the nearly deaf composer—also acting as conductor and pianist—to stop the ensemble partway into one passage and start again from the very beginning. It was, all in all, a very inauspicious beginning for what would soon become the world's most recognizable piece of classical music: Ludwig van Beethoven's Symphony No. 5 in C Minor, Op. 67—the "Fifth Symphony"—which received its world premiere on this day in 1808.
Also premiering that day at the Theater an der Wien in Vienna were Beethoven's Piano Concerto No. 4 in G major, Op. 58, and the Symphony No. 6 in F major, Op. 68—the "Pastoral Symphony."
©History.com
But of course it's Off-Topic - if the Music Wizard offered one the chance to travel back in time and attend, who would say no?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostReminds one of another 19th century event which though superficially attractive and historically fascinating, might have been a challenge even if one could go back with 21st Century thermal undergarments, headgear and footwear... The uncomfortable seating... the standard of the playing...
Also premiering that day at the Theater an der Wien in Vienna were Beethoven's Piano Concerto No. 4 in G major, Op. 58, and the Symphony No. 6 in F major, Op. 68—the "Pastoral Symphony."
But of course it's Off-Topic - if the Music Wizard offered one the chance to travel back in time and attend, who would say no?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Well this is also opposite-topic: I was given a couple of tickets to one of the RAH "Classical Spectacular" concerts as a leaving present when I retired from my practice (after 30 years) in 2013, so I was obliged to attend. They were good seats too.
But how strange it felt to be listening to an amplified orchestra. And yes it was packed with all the hackneyed favourites including O Fortuna from Carmina Burana, the Hebrew slaves, and the Intermezzo from Cav Rust. And of course there was a smarmy amplified violinist.
I know I'm being ungrateful, but ugh!Pacta sunt servanda !!!
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Originally posted by Flay View PostI know I'm being ungrateful, but ugh!
"With THUNDERING CANNONS AND INDOOR FIREWORKS"It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Bryn View PostAnyone shoot the lark?
Originally posted by Bryn View Postwas Max around to finish off and make a terrine from the "Dying[sic] Swan"?Pacta sunt servanda !!!
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This, in my translation from the Revue Musicale, 10 April to 10 May 1913, following the premieres of Jeux and Le Sacre du Printemps:
The Events of the Month
Summer sports: several readers have asked us for the rules of Russian tennis, which have cause anger, this season, in every stately mansion. They can be subsumed thus: the match is played at night, on baskets of flowers, illuminated by arc lights; it only involves three partners; the net is let down; the ball is replaced by a football; use of the racquet is forbidden. In one section, squashed into an extremity of the court, one notes an orchestra accompanying the volleys of the players. This sport has as its objective the development of an extreme suppleness in the movements of the wrist, neck and ankle. It has received the approval of the Academy of medecine. For performances of "Le Sacre du Printemps" the Theatre of the Champs Elysees has organised a special service of stretcher-bearers, charged with taking home professors of harmony for whom contact with the music of Stravinsky has triggered excessive emotions. The Society of Grand Rehearsals has justified its title with brilliant ingenuity by giving a huge concert where one could admire the biggest score and largest conductor's baton known to this day: superficial observers believed themselves to be witnessing on the rostrum a conductor of fish, with his rod paging its way through the Grand Book of public debt. Stop press: we learn that the "Sacre du Printemps", which has so violently stirred opinion, was a simple exploit of American publicity. This work was commissioned by the Galeries Lafayette in order, by way of an ironic consecration, to ridicule the fashions of a neighbouring establishment.
(From Debussy, Jean Barraque, Editions du Seuil, 167, Paris, no date.)
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