Good to see that there seems to be agreement here! As usual I found the piano final by far the most compelling so far, and I thought the standard was especially high this year. The performances that gripped my attention were the 15 year old's Beethoven, the Nottingham lass's Scarbo (electrifying!) and most of what the eventual winner played. He was a way ahead of the others I thought and it would have been a travesty had he not won. (But then Wass and Ogawa are an ideally-chosen pair of judges, talk about two safe pairs of hands )
Fascinating to see the future winner with Snr. Fazioli in the preamble too. (Scary mom though... )
Ardy - the Barber is a terrific piece and the extract played was not the most engaging section of the piece although it's a mind-boggling conclusion in the right hands. I agreed with Ashley Wass that the player didn't quite let it speak as it should, all a bit martellato, but then again, not having heard the whole performance, who am I to comment. Stunning playing by any standards.
NB Wass's own recent recording of the Barber is exceptionally good - you can hear an earlier section of that Fugue finale as the sample for track 14 here: http://www.amazon.co.uk/Future-Ashle...9684565&sr=1-1
PS: thank heavens for the fast-forward button to avoid the ghastly stilted simpering of the two presenters, though
Fascinating to see the future winner with Snr. Fazioli in the preamble too. (Scary mom though... )
Ardy - the Barber is a terrific piece and the extract played was not the most engaging section of the piece although it's a mind-boggling conclusion in the right hands. I agreed with Ashley Wass that the player didn't quite let it speak as it should, all a bit martellato, but then again, not having heard the whole performance, who am I to comment. Stunning playing by any standards.
NB Wass's own recent recording of the Barber is exceptionally good - you can hear an earlier section of that Fugue finale as the sample for track 14 here: http://www.amazon.co.uk/Future-Ashle...9684565&sr=1-1
PS: thank heavens for the fast-forward button to avoid the ghastly stilted simpering of the two presenters, though
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