Sir Andrew Davis conducts Elgar's The Dream of Gerontius

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  • mercia
    Full Member
    • Nov 2010
    • 8920

    #46
    Originally posted by Cockney Sparrow View Post
    (Programme says it will be broadcast at 2pm on Monday 21 April).
    Gerontius @ 2:45pm after the Walton VC
    Music Makers 23 April 2pm
    The Apostles 24 April 2:20pm

    a week of English music on Afternoon on 3

    Comment

    • cloughie
      Full Member
      • Dec 2011
      • 22181

      #47
      Originally posted by Sir Velo View Post
      Mmmm....currently available

      DoG
      Enigma Variations
      Falstaff
      Cello Concerto (with Mork)
      Violin Concerto (with Kennedy)
      Grania & Diarmid
      As Barenboim has just done Sym 2 with his Berlin orchestra (It will be interesting to hear how his interpretation has changed since his LPO recording now app 40 years old!), perhaps a good time for Rattle and BPO to record Syms 1 & 2!

      Comment

      • gradus
        Full Member
        • Nov 2010
        • 5622

        #48
        The 1991opening concert of the Proms conducted by Sir Andrew was a tremendous performance with Willard White and the eternally memorable Florence Quivar singing like no one else I have ever heard in the role, talk about passionate commitment!

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        • Petrushka
          Full Member
          • Nov 2010
          • 12308

          #49
          Originally posted by gradus View Post
          The 1991 opening concert of the Proms conducted by Sir Andrew was a tremendous performance with Willard White and the eternally memorable Florence Quivar singing like no one else I have ever heard in the role, talk about passionate commitment!
          A memorable concert indeed which I remember well from the TV broadcast. I had it on a VHS video which, needless to say, has long since disappeared. I attended a BBCSO/Andrew Davis performance in Westminster Cathedral as well as the later one in St Paul's so it's clear from all the performances mentioned that he has a strong commitment to the work.
          "The sound is the handwriting of the conductor" - Bernard Haitink

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          • pastoralguy
            Full Member
            • Nov 2010
            • 7799

            #50
            Re. Sir Simon...

            Originally posted by Sir Velo View Post
            Mmmm....currently available

            DoG
            Enigma Variations
            Falstaff
            Cello Concerto (with Mork)
            Violin Concerto (with Kennedy)
            Grania & Diarmid
            I'm sure there's a p&p march with the Berlin Philharmonic that was recorded shortly after he started as principal conductor. I did once ask him if he intended to do Elgar with them but he replied that, apart from the 'cello concerto, Elgar was not high on the orchestras list of priorities.

            I'd love to hear them perform the symphonies!

            Comment

            • Alison
              Full Member
              • Nov 2010
              • 6468

              #51
              Originally posted by pastoralguy View Post
              Re. Sir Simon...



              I'm sure there's a p&p march with the Berlin Philharmonic that was recorded shortly after he started as principal conductor. I did once ask him if he intended to do Elgar with them but he replied that, apart from the 'cello concerto, Elgar was not high on the orchestras list of priorities.

              I'd love to hear them perform the symphonies!
              You might have expected Sir Simon to do a lot more Elgar in Berlin. For me this is just another example of his somewhat disappointing tenure.

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              • MrGongGong
                Full Member
                • Nov 2010
                • 18357

                #52
                Originally posted by Alison View Post
                You might have expected Sir Simon to do a lot more Elgar in Berlin. For me this is just another example of his somewhat disappointing tenure.
                Why ?

                I'm sure he is more than happy to choose repertoire that he wants to conduct.

                Comment

                • Petrushka
                  Full Member
                  • Nov 2010
                  • 12308

                  #53
                  Originally posted by MrGongGong View Post
                  Why ?

                  I'm sure he is more than happy to choose repertoire that he wants to conduct.
                  It seems that Rattle, despite the odd performance and recording, isn't all that keen on Elgar which is a pity because with Elgar being so much in the Central European tradition he could have done much to bring him back into it where he hasn't been for the past 100 years.

                  I did hear Rattle conduct an excellent Falstaff during his time in Birmingham but I'm not sure that he has ever conducted the symphonies. I happen to think he'd bring more to the Second rather than the First.
                  "The sound is the handwriting of the conductor" - Bernard Haitink

                  Comment

                  • EnemyoftheStoat
                    Full Member
                    • Nov 2010
                    • 1135

                    #54
                    Originally posted by Petrushka View Post
                    It seems that Rattle, despite the odd performance and recording, isn't all that keen on Elgar which is a pity because with Elgar being so much in the Central European tradition he could have done much to bring him back into it where he hasn't been for the past 100 years.

                    I did hear Rattle conduct an excellent Falstaff during his time in Birmingham but I'm not sure that he has ever conducted the symphonies. I happen to think he'd bring more to the Second rather than the First.
                    Just musing, maybe Elgar is just that bit more difficult to "bring off" than is generally assumed...

                    Comment

                    • Pabmusic
                      Full Member
                      • May 2011
                      • 5537

                      #55
                      Originally posted by EnemyoftheStoat View Post
                      Just musing, maybe Elgar is just that bit more difficult to "bring off" than is generally assumed...
                      Your musings have a point. Although from a technical point of view the music generally 'plays itself' there are at least two hurdles. First is the fact that Elgar hardly ever wrote melodies without flitting between instruments, sometimes only for two or three notes (a kaleidoscopic effect as Michael Kennedy called it) so that individual players unused to Elgar can feel it 'fussy' and not follow what is happening as easy as they can, say, Mahler. Second, Elgar is a very intimate composer who makes grand gestures, and this is easily overlooked. It's not easy for conductor and players to realise the vulnerability in the music if they're not well used to it.

                      Having said that, it's not too difficult to get used to it, either.

                      Comment

                      • amateur51

                        #56
                        Originally posted by MrGongGong View Post
                        Why ?

                        I'm sure he is more than happy to choose repertoire that he wants to conduct.

                        Comment

                        • MrGongGong
                          Full Member
                          • Nov 2010
                          • 18357

                          #57
                          Originally posted by Pabmusic View Post
                          Your musings have a point. Although from a technical point of view the music generally 'plays itself' there are at least two hurdles. First is the fact that Elgar hardly ever wrote melodies without flitting between instruments, sometimes only for two or three notes (a kaleidoscopic effect as Michael Kennedy called it)
                          sssssssssssh don't tell them he used a kind of Klangfarbenmelodie, you will have the Elgarians spluttering into their soup

                          Comment

                          • Cockney Sparrow
                            Full Member
                            • Jan 2014
                            • 2290

                            #58
                            I had reservations, as to the soloists, at the Gerontius performance. No such reservations for the performance of The Apostles last night. It was very well performed by all, and Davis' interpretation was very persuasive. A memorable performance, I'm looking forward to hearing it again on radio3 on 26 April.
                            I picked up a copy of the Elgar Society Journal from their stall - it contained a review in fulsome terms of the Oramo/Stockholm PO recording of the 2nd Symphony (with Sospiri/ Elegy) - on the BIS label. The reviewer finds that Oramo brings out afresh aspects of the orchestration that even their beloved Barbirolli recordings (Halle/Philharmonia - one of them 1964 EMI) do not reveal. The recording very good (as would be expected from BIS) and playing in Stockholm refined and committed.

                            Comment

                            • Alison
                              Full Member
                              • Nov 2010
                              • 6468

                              #59
                              Originally posted by MrGongGong View Post
                              Why ?

                              I'm sure he is more than happy to choose repertoire that he wants to conduct.
                              Of course that is his prerogative but may I be allowed to express my disappointment please.

                              Comment

                              • BBMmk2
                                Late Member
                                • Nov 2010
                                • 20908

                                #60
                                Indeed you should be Alison! A poorer place it would be if we couldn't!
                                Don’t cry for me
                                I go where music was born

                                J S Bach 1685-1750

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