But if the artist is dead who makes the decisions, especially if his estate knows nothing about music? Would the composer in this case have objected? I doubt it very much indeed. If the publishers are getting paid for the use of the work then what is the problem?
In this case I really wish the BBC had binned the Fafferty waffle show and broadcast the pre concert talks in full. I imagine they would be very enlightening. Anyway the Widor was great and the improvisation had me slack jawed. Anyone who can improvise a fugue like that has my deepest respects. In fact I would go as far as to say that Latry for breadth of ability is probably the finest player (or at least one of them) in the world.
In this case I really wish the BBC had binned the Fafferty waffle show and broadcast the pre concert talks in full. I imagine they would be very enlightening. Anyway the Widor was great and the improvisation had me slack jawed. Anyone who can improvise a fugue like that has my deepest respects. In fact I would go as far as to say that Latry for breadth of ability is probably the finest player (or at least one of them) in the world.
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