In a letter of 30/12/81 to a concert promoter, Brahms made it plain that his preference was for "a very good and powerful Bechstein (or American Steinway)." He played a 7 foot Streicher at home, but preferred the latest instruments for performing even his early works in public. That much is clear.
My idea of 'period' Brahms is on the recordings by the Busch quartet and Rudolf Serkin. No heaviness there, and the tempi are often very lively indeed.
My idea of 'period' Brahms is on the recordings by the Busch quartet and Rudolf Serkin. No heaviness there, and the tempi are often very lively indeed.
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