Early Music on Record Review

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  • doversoul1
    Ex Member
    • Dec 2010
    • 7132

    25th February

    Now playing (2.22)

    The Italian Job
    ALBINONI: Concerto Op. 9 No. 3 for two oboes & strings in F major
    CALDARA: Sinfonia for 2 oboes, 2 bassoons, 2 trumpets, timpani, violin, strings & continuo in C
    CORELLI: Sinfonia, WoO 1, to the oratorio Santa Beatrice d'Este
    TARTINI: Concerto in E major, D51
    TORELLI: Sinfonia for 4 trumpets, timpani, 2 oboes, 2 bassoons, 2 violins, 2 cellos, strings & continuo in C, G 33
    VIVALDI: Concerto RV151 in G major for strings & basso continuo 'Alla rustica'; Bassoon Concerto, RV 467 in C major
    Gail Hennessy, Rachel Chaplin (oboes), Peter Whelan (bassoon), La Serenissima, Adrian Chandler (violin and director)
    AVIE AV2371 (CD)

    Comment

    • doversoul1
      Ex Member
      • Dec 2010
      • 7132

      4 March

      10:20am – Baroque Opera and Cantata
      Queens - Opera arias by Handel:
      Roberta Invernizzi (soprano), Fabio Ciofini (harpsichord, direction), Accademia Hermans

      HANDEL: Catone(including music by Leo, Hasse, Porpora, Vinci and Vivaldi)
      Sonia Prina (Catone), Lucia Cirillo (Marzia), Riccardo Novaro (Cesare), Kristina Hammerstrom (Arbace), Roberta Invernizzi (Emilia), Auser Musici, Carlo Ipata

      Pace e Guerra: GASPARINI, HASSE, SARRO, VINCI and more
      Terry Wey (countertenor), Vivica Genaux (mezzo), Valer Sabadus (countertenor), Bach Consort Wien, Ruben Dubrovsky

      Sacred Duets: BONONCINI, GABRIELLI: LOTTI, SCARLATTI, A and more
      Nuria Rial (soprano), Valer Sabadus (countertenor), Julia Schroder (violin), Kammerorchester Basel
      (all these in 15 minutes?)

      10:35am – Alexandra Coghlan on women composers
      (somewhere between here and 11.45)
      STROZZI along with Purcell and Vivaldi….
      Ruby Hughes (soprano), Mime Yamahiro Brinkmann (cello), Jonas Nordberg (lute / theorbo / archlute)

      CACCINI, F: La liberazione di Ruggerio dall'isola di Alcina
      Elena Sartori (harpsichord/direction), Elena Biscuola, Mauro Borgioni, Gabriella Martellacci, Francesca Lombardi Mazzulli, Emanuela Galli, Raffaele Giordani, Yiannis Vassilakis, Allabastrina, La Pifarescha

      Comment

      • doversoul1
        Ex Member
        • Dec 2010
        • 7132

        11 March

        11.45am – Disc of the Week

        The Masque of Moments: Theatre Of The Ayre

        Ayres from 17th century masques by Anon, Campion, Coperario, Ferrabosco II, Bateman, Johnson, Coleman, Henry and William Lawes, Locke, Lanier.
        Theatre Of The Ayre, Elizabeth Kenny (conductor)
        LINN CKD542 (CD)


        Comment

        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          Thanks for this info, dovers - a potentially interesting ECM disc by the Trio Mediaeval just before the Gurrelieder Bal at 9:30, too.
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

          Comment

          • doversoul1
            Ex Member
            • Dec 2010
            • 7132

            Originally posted by ferneyhoughgeliebte View Post
            Thanks for this info, dovers - a potentially interesting ECM disc by the Trio Mediaeval just before the Gurrelieder Bal at 9:30, too.
            Thank you for pointing this out.

            Trio Mediaeval & Arve Henriksen – Rimur
            Chats, hymns, folksongs and improvisations based on Icelandic, Norwegian and Swedish sources
            Trio Mediaeval: Anna Maria Friman (voice, hardangar fiddle), Linn Andrea Fuglseth (voice, shruti box), Berit Opheim (voice), Arve Henriksen (trumpet)
            ECM 4814742 (CD)


            Intriguing. Here is ‘About’
            […. ] Fascinated and inspired by Icelandic sagas, beautiful chants, folk songs, religious hymns and fiddle tunes, the quartet has arranged a unique set of songs where improvisation, mediaeval and traditional music from Iceland, Norway and Sweden meet the present. [...]
            Trio Mediaeval & Arve Henriksen - Rímur. ECM: 4814742. Buy CD or download online. Trio Mediaeval: Anna Maria Friman (voice, hardangar fiddle), Linn Andrea Fuglseth (voice, shruti box), Berit Opheim (voice) & Arve Henriksen (trumpet)

            Comment

            • doversoul1
              Ex Member
              • Dec 2010
              • 7132

              Dowland and his contemporaries: 18 March

              1030
              Kirsten Gibson reviews a collection of new releases of music by the Tudor composer John Dowland and his contemporaries. Including a modern reinterpretation of Dowland's music by David Gorton. This set of discs underlines the constant presence of Dowland's famous 'Lachrimae' in one guise or another - it speaks both to its popularity in Dowland's lifetime, and its enduring popularity and fascination with modern composers, musicians and audiences. It clearly captured the imagination of seventeenth-century musicians across Europe in myriad ways and continues to act as a catalyst for further musical creativity right up to the present day. These recordings also show
              the recurring theme of musical borrowing amongst 16th Century musicians



              Update
              10.50am – Warner Classics Telemann Collection
              Last edited by doversoul1; 17-03-17, 18:43.

              Comment

              • Richard Tarleton

                I listened hopefully but I'm afraid this discussion didn't work very well. AMcG - "Are these straight arrangements?" Kirsten Gibson - "Sorry?"

                David Gorton's efforts left me cold - I was baffled by the microtonal guitar. Perhaps his stuff would grow on me, but life's too short. Elizabeth Kenny's lute did indeed take flight in the King of Denmark's Galliard....but only for a few seconds, in a piece lasting not much more than a minute. There is of course a much more extended solo lute version, with several sections, which Dowland re-worked a number of times, the opening measure deriving from all those early 16thC "Battle" pieces - Dowland's first version was indeed called the Battle Galliard, later re-worked for his patron King Christian lV. A favourite for guitarists and lutenists, here played by Nigel North. I liked the Thomas Tomkins Ground....

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26606

                  Originally posted by doversoul1 View Post
                  Update
                  Warner Classics Telemann Collection
                  http://www.prestoclassical.co.uk/r/B...assics/95440BR
                  Very interesting review this, I thought - above all for the realisation of how quickly the likes of Harnoncourt, Brüggen etc found their HIPP level and started producing recordings that sound (to me at least) completely convincing today.

                  The second extract was this:

                  Rejouissance (Overture in A minor TWV 55:a2)
                  Performer: Frans Brüggen. Ensemble: Concentus Musicus Wien. Conductor: Nikolaus Harnoncourt

                  recorded on 'original instruments' in 1966 (iirc). Staggeringly good... It could have been recorded last week and I wouldn't have been surprised.

                  Yet this was only 2 years or so after the first extract played:

                  Overture (Suite) In D Major Twv.55:D1 (Tafelmusik 2 Air IV)
                  Performer: Maurice André. Ensemble: Concerto Amsterdam. Conductor: Frans Brüggen.

                  - with everyone playing on modern instruments, and sounding ok but a world away from the performance a couple of years later.
                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • doversoul1
                    Ex Member
                    • Dec 2010
                    • 7132

                    25 March

                    11.45am – Disc of the Week

                    Lully: Persee 1770
                    LULLY: Persee
                    Mathias Vidal, Helene Guilmette, Katherine Watson, Tassis Christoyannis, Jean Teitgen, Chantal Santon-Jeffery, Marie Lenormand, Cyrille Dubois, Marie Kalinine, Thomas Dolie, Zachary Wilder, Le Concert Spirituel, Herve Niquet (conductor)
                    ALPHA ALPHA967 (2CD)


                    Re: Caliban's post above

                    Yes, I thought the Telemann Collection was very interesting from that point. I enjoyed the music too.

                    Comment

                    • vinteuil
                      Full Member
                      • Nov 2010
                      • 13079

                      Originally posted by doversoul1 View Post
                      .

                      11.45am – Disc of the Week

                      Lully : Persee 1770.
                      ... I was at first baffled by the reference to 1770 (Lully died in 1687) - more details explain the background -

                      "Nearly a century after its composition, Lully's Persée was recreated in 1770 to mark an exceptional event: the inauguration of the Royal Opera House at Versailles Palace, built to celebrate the wedding of the Dauphin (the future Louis XVI) and Marie Antoinette. For this unique occasion, three composers (Antoine Dauvergne, François Rebel and Bernard de Bury) were commissioned to revise Lully's work and adapt it to the new circumstances and the new venue, which was regarded as absolutely extraordinary in its time.

                      Lovers of Lully's opera will therefore meet their mythological hero again, now with a richer orchestration and more for the chorus and the ballet dancers to do. There were only two performances in 1770, but they were absolutely sumptuous: 95 choristers, 15 soloists, 80 dancers,100 extras, 80 instrumentalists, five sets and 530 costumes.You can now relive that historic event thanks to a recording conducted by the leading specialist in this repertory, Hervé Niquet, and a CD-book richly illustrated with engravings of the period and photos of the Opéra Royal and of manuscripts of the score.
                      Recorded at Versailles Palace in 2016, in collaboration with the Centre de Musique Baroque de Versailles."

                      The comments on amazon.fr are not particularly enthusiastic :

                      Last edited by vinteuil; 24-03-17, 19:33.

                      Comment

                      • MickyD
                        Full Member
                        • Nov 2010
                        • 4894

                        And I really regret having sold my copy of Christophe Rousset's "Persée" (original version) some time ago. It's now too expensive to buy second hand.

                        Comment

                        • vinteuil
                          Full Member
                          • Nov 2010
                          • 13079

                          Originally posted by MickyD View Post
                          And I really regret having sold my copy of Christophe Rousset's "Persée" (original version) some time ago. It's now too expensive to buy second hand.
                          ... perhaps you should cheer yourself up by acquiring the much-anticipated Rousset Armide , just out -

                          Comment

                          • MickyD
                            Full Member
                            • Nov 2010
                            • 4894

                            Originally posted by vinteuil View Post
                            ... perhaps you should cheer yourself up by acquiring the much-anticipated Rousset Armide , just out -

                            http://amzn.eu/69AhkG6
                            Ooh, that looks good....I already have the old Herreweghe version, but I am already tempted!

                            Comment

                            • doversoul1
                              Ex Member
                              • Dec 2010
                              • 7132

                              1st April

                              10.30am – new releases for Easter

                              Alessandro Scarlatti: Passio Secundum Johannem
                              Giuseppina Bridelli (mezzo-soprano), Choeur De Chambre De Namur, Millenium, Leonardo Garcia Alarcon (conductor)
                              RICERCAR RIC378 (CD)

                              Pergolesi: Stabat Mater
                              BACH, J S: Cantata BWV54 'Widerstehe doch der Sunde'; Cantata BWV170 'Vergnugte Ruh, beliebte Seelenlust'
                              PERGOLESI: Stabat Mater
                              Lucy Crowe (soprano), Tim Mead (counter-tenor), La Nuova Musica, David Bates
                              HARMONIA MUNDI HMM907589 (CD)

                              Comment

                              • doversoul1
                                Ex Member
                                • Dec 2010
                                • 7132

                                29 April

                                10.20am – Monteverdi Anniversary

                                Monteverdi: Night - Stories of Lovers and Warriors
                                Concerto Italiano, Rinaldo Alessandrini

                                The Excellency of Hand: English Viola da Gamba Duos
                                Robert Smith, Paolo Pandolfo

                                Passaggio - Eine Barocke Alpenuberquerung [A Baroque Alpine Crossing]
                                Music by Schmelzer, Piccinini, Marini, Bartolotti, Vilsmayr, Pandolfi Mealli and Muffat
                                Ombra e Luce - Bjorn Colell (guitar, lute, theorbo), Georg Kallweit (violin)

                                TELEMANN:Reformations-Oratorium 1755, TWV 13:18
                                Chor des Bayerischen Rundfunks, Bayerische Kammerphilharmonie, Reinhard Goebel


                                A Baroque Alpine Crossing
                                Very much looking forward to listening to this.

                                Comment

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