Early Music on Record Review

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  • Richard Tarleton

    Lislevand, ECM, short measure



    This has just arrived, and I've got it on the CD player. But - it's only 48 minutes of music. This is seriously short measure. It seems to be an ECM problem - just checked, my ECM CD of Pablo Márquez playing Luys de Narváez is 46 minutes. By comparison, William Carter's Corbetta disc on Linn is 73.30, his Santiago de Murcia disc is 60 minutes. Paul O'Dette's CDs on Harmonia Mundi invariably come in around the 70-80 minute mark, and he's better than any of them. The repertoire is huge, there's masses of room on the CD, it would cost them nothing to keep him sitting there and knock out a couple more tracks.

    This is the last time I buy an ECM CD. You get some posy black and white photography, weird booklet notes (particularly so in this case) and not a lot of music. I blame Manfred Eicher.

    Comment

    • doversoul1
      Ex Member
      • Dec 2010
      • 7132

      2 July

      10.15 New Baroque Release

      Corelli Bolognese
      ARRESTI, BASSANI, CAZZATI, CORELLI, GABRIELLI, TORELLI, VITALI,
      Musica Antiqua Latina/Giordano Antonelli

      Telemann: Complete Suites & Concertos for Recorder
      Erik Bosgraaf (recorder, direction), Ensemble Cordevento

      Bach: Sonatas for Flute and harpsichord
      Peter Holtslag (transverse flute), Ketil Haugsand (harpsichord)

      Music at the Habsburg Court
      Cappella Gabetta, Andreas Gabetta (violin)

      With Andrew McGregor. Including Building a Library: Faure's Requiem in D minor, Op 48.

      Comment

      • Nick Armstrong
        Host
        • Nov 2010
        • 26606

        Originally posted by MickyD View Post
        I've only just got round to listening to last Saturday's programme. It's not often that I order a CD directly after hearing a sample, but I simply had to buy the new disc from Rolf Lislevand playing Corbetta and Robert de Visée - it sounds superb.
        Me too! It does sound great.... but I agree that
        Originally posted by Richard Tarleton View Post


        This is seriously short measure. It seems to be an ECM problem .... You get some posy black and white photography, weird booklet notes (particularly so in this case) and not a lot of music. I blame Manfred Eicher.

        The only reason I bought the disc is that ECM downloads aren't available in this country (I only ever buy downloads these days, as a rule) - so that strategy by ECM worked, didn't it ... Anyway, as usual these days when I'm forced to buy the CD version, it's in my various bits of digital kit now, for home/car/holiday listening - and the arty-fartily decorated CD is in a small pile of 'future Christmas / birthday' presents - I'm sure the right person will like it
        "...the isle is full of noises,
        Sounds and sweet airs, that give delight and hurt not.
        Sometimes a thousand twangling instruments
        Will hum about mine ears, and sometime voices..."

        Comment

        • Richard Tarleton

          Originally posted by Caliban View Post
          a small pile of 'future Christmas / birthday' presents - I'm sure the right person will like it
          I remember David Owen Norris reviewing a rather concepty Maria João Pires album in a pretty box by saying "it would make a lovely pressie", thus summing it up perfectly.

          Looking at some of Lislevand's other releases he does seem to come down on the side of concept albums and obscurity, the covers giving little away about the contents. Look at Scaramanzia, on Naive - no composers indicated on the cover, only track titles. The word apparently means "For luck" in Italian, which isn't giving much away.

          Comment

          • doversoul1
            Ex Member
            • Dec 2010
            • 7132

            9th July

            10.30am New Releases on the Glossa Label

            Brescianello: Concerti, Sinfonie & Ouverture
            La Cetra Barockorchester Basel, David Plantier (violin), Vaclav Luks

            Rolla: Duets for Violin and Viola
            Isabelle Faust (violin), Thomas Riebl (viola)

            Forqueray: Pieces de viole avec la basse continue
            Paolo Pandolfo (viola da gamba), Guido Balestracci (viola da gamba), Rolf Lislevand (theorbo, Baroque guitar), Eduardo Eguez (theorbo, Guido Morini (harpsichord)
            With Andrew McGregor. Including Building a Library: Offenbach's Orpheus in the Underworld.


            Looking forward to hear this, as Brescianello and Rolla are new names to me.
            Last edited by doversoul1; 09-07-16, 07:53.

            Comment

            • MickyD
              Full Member
              • Nov 2010
              • 4894

              DS, you should invest in this delightful Brescianello CD, first released by Harmonia Mundi, but since re-issued at budget price by Glossa:

              Comment

              • MickyD
                Full Member
                • Nov 2010
                • 4894

                PS...I think the disc that I mentioned above is the one being featured by Andrew MacGregor this morning....

                Comment

                • doversoul1
                  Ex Member
                  • Dec 2010
                  • 7132

                  27th August

                  10.45
                  Andrew talks to Caroline Gill about recent reissues of recordings of Handel oratorios.


                  Oh, those Oratorios…. Couldn’t we have Cantatas for a change, like this?

                  Handel: Cantatas and Sonatas
                  Ah, che pur tropo e vero, HWV 77
                  Care selve, aure grate, HWV 88
                  Dolce pur d'amor l'affano, HWV109b
                  Sonata in D minor for recorder and continuo, HWV367a, Op. 1 No. 9a 'Fitzwilliam III'
                  Oboe Sonata in f major, HWV 363a

                  Jorge Juan Morata (tenor) & Lixsania Fernandez (viola da gamba)
                  Recondita Armonia Ensemble

                  Comment

                  • MickyD
                    Full Member
                    • Nov 2010
                    • 4894

                    I'm inclined to agree, but there is no doubt that this big box of Handel oratorios is quite a bargain and contains some great recordings.

                    Comment

                    • doversoul1
                      Ex Member
                      • Dec 2010
                      • 7132

                      I take back my words. I thoroughly enjoyed this review by Caroline Gill. I suppose, really, you have to say that Handel can’t go wrong.

                      Lots of interesting points as well as great music and performance.

                      Comment

                      • ferneyhoughgeliebte
                        Gone fishin'
                        • Sep 2011
                        • 30163

                        Originally posted by doversoul1 View Post
                        I take back my words. I thoroughly enjoyed this review by Caroline Gill. I suppose, really, you have to say that Handel can’t go wrong.
                        Lots of interesting points as well as great music and performance.
                        - in every respect.
                        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                        Comment

                        • doversoul1
                          Ex Member
                          • Dec 2010
                          • 7132

                          3 September

                          9.00am
                          Handel in Italy, Volume 2
                          Benjamin Bevan (baritone), Sophie Bevan (soprano), Mary Bevan (soprano), Benjamin Bevan (baritone), London Early Opera, Bridget Cunningham (harpsichord & conductor)


                          10.40am
                          Hannah French on recent early music releases
                          Hannah French joins Andrew to discuss some recent Early music releases from harpsichordist Sophie Yates, recorder player Dan Laurin, and New York Polyphony. Plus the intriguingly titled 'Ice and Longboats*' from Ensemble Mare Balticum
                          .

                          *Ice and Longboats: Ancient Music of Scandinavia: Ake, Jens Egevad, Ensemble Mare Balticum

                          Comment

                          • doversoul1
                            Ex Member
                            • Dec 2010
                            • 7132

                            10 September

                            This looks very good

                            1145
                            'Serpent & Fire, Arias for Dido and Cleopatra', soprano Anna Prohaska's latest recording is with Giovanni Antonini's period instrument group Il Giardino Armonico, and features music by Purcell, Handel, Hasse and Cavalli, among others.


                            Here’s a taster.

                            Comment

                            • Sir Velo
                              Full Member
                              • Oct 2012
                              • 3288

                              Originally posted by Richard Tarleton View Post


                              This has just arrived, and I've got it on the CD player. But - it's only 48 minutes of music. This is seriously short measure. It seems to be an ECM problem - just checked, my ECM CD of Pablo Márquez playing Luys de Narváez is 46 minutes. By comparison, William Carter's Corbetta disc on Linn is 73.30, his Santiago de Murcia disc is 60 minutes. Paul O'Dette's CDs on Harmonia Mundi invariably come in around the 70-80 minute mark, and he's better than any of them.
                              What has happened to Carter? I have all those Linn CDs and they're magnificent, particularly the Corbetta. Best played on a Blu Ray - or SACD player to really get the full effect of that finger plucking technique of his.

                              O'Dette better than Carter? If so, he must be some player! Any recommendations?

                              Comment

                              • Richard Tarleton

                                Originally posted by Sir Velo View Post
                                What has happened to Carter? I have all those Linn CDs and they're magnificent, particularly the Corbetta. Best played on a Blu Ray - or SACD player to really get the full effect of that finger plucking technique of his.

                                O'Dette better than Carter? If so, he must be some player! Any recommendations?
                                Unfair of me, because Carter is primarily a baroque guitarist and O'Dette a lutenist, although these early pluckers all seem to be able to play anything, but I was seriously fed up at the time. Yes I haven't heard from Carter for a while - the last time was seeing him plucking soundlessly at his theorbo from the amphitheatre at the ROH's dismal Tamerlano in 2010, with a small band from the OAE. The production would have been better suited to the Holywell Music Room. I think I've spotted him on TV a couple of times.

                                He and O'Dette are not in competition, O'Dette notable for exploring the roads less travelled in the Renaissance lute repertoire - I'd recommend his CDs of Daniel Bacheler, Melchior Neusidler, JH Kapsberger
                                ( ) as well as his recent My Favourite Dowland (all on harmonia mundi) and of course his complete Dowland which is one of the top 3 recommendations alongside North and Lindberg.... One teensy problem with O'Dette is that harmonia mundi mike him very closely and his stentorian breathing is enough to make you fear for his health.

                                And all on generously filled CDs. The closest to short measure in the Kapsberger at 69.27. I know we're not buying greengrocery here, but 46 minutes really is taking the p***.

                                Comment

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