Early Music on Record Review

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  • ardcarp
    Late member
    • Nov 2010
    • 11102

    Originally posted by MickyD View Post
    I still love the all-male voice version of the St John Passion by Edward Higginbottom on Naxos, a great bargain. Just wish the same forces would tackle the St Matthew.
    That's one in my 'collection' and shortly to get its seasonal spin....or two. The Matthew might be more challenging, needing as it does an extra choir. And it wouldn't be the same without Higgers. (Now there's a challenge.....)

    Comment

    • ferneyhoughgeliebte
      Gone fishin'
      • Sep 2011
      • 30163

      Originally posted by ardcarp View Post
      In his sleeve notes, Rene Jacobs apparently supported using a choir (rather than OVPP) saying that Bach was known to have wanted to have more money to pay for more singers. (Did Rifkind mention that?)
      Really? I knew (or thought I did) that Bach kept encouraging his employers to test new entrants to ensure that there were enough good singers to supply the needs of the main services in the churches he was responsible for, but he never needed/requested money for these. He frequently complained that funds for professional instrumentalists weren't available at the end of his tenure of employment as they had been earlier - but that's nothing to do with OVPP singing. (Joshua Rifkin - no "d" - did mention this - and the documents in which Bach made his requests and complaints are reproduced in the original German and an English translation are included in Andrew Parrott's The Essential Bach Choir. The German is included so that German speakers can check for themselves the validity of his interpretation that the request for more quality singers doesn't mean "so that we can have a bigger choir", but rather that he has a larger "pool" of singers from whom to use as soloists each week.)
      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

      Comment

      • ardcarp
        Late member
        • Nov 2010
        • 11102

        I'm only going on what AMcG reported:



        ...2h36m from start. It happens to accord with my preferences.....

        Comment

        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          Originally posted by ardcarp View Post
          It happens to accord with my preferences.....
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

          Comment

          • doversoul1
            Ex Member
            • Dec 2010
            • 7132

            26 March

            Apologies for this double posting but just in case;

            09.00
            Biber: Imitatio
            BIBER: Serenade in C major "Nightwatchman's Call"; Balletti Lamentabili; Sonata violino solo representativa in A; Sonata a viol. e viola; Serenata con altre arie a 5; Toccatina sopra la Ribellione di Hungheria; Sonata VI for violin and basso continuo; Sonata A. 3. ex G. B Moll; Battalia
            Ricercar Consort
            MIRARE MIR302 (CD)

            Comment

            • doversoul1
              Ex Member
              • Dec 2010
              • 7132

              2nd April

              10.15am - New Early and Baroque Releases

              Dresden Treasures
              ANON.: Six Concertos (from the Schranck II manuscript of Saxon State and University Library)
              Ketil Haugsand, Les Amis de Philippe, Ludger Remy (Director)

              Conversations: Quentin & Guillemain
              Nevermind*
              *TTN Thursday 17 March
              Jonathan Swain presents a concert of early music from the 2014 Poznan Baroque Festival featuring the Nevermind ensemble.
              Jonathan Swain presents a concert of early music from the 2014 Poznan Baroque Festival.

              (not the same concert)

              Sonates et Suites
              Dan Laurin (recorder), Domen Marincic (cello), Anna Paradiso (harpsichord)

              A Tribute to Bach: Bach Flute Sonatas & Arias
              Elizabeth Cragg (soprano), Charles Daniels (tenor), Peter Harvey (bass), Rachel Brown (flute), Katherine Sharman (piccolo cello), Laurence Cummings (organ)

              Handel: Trio Sonatas for Two Violins and Basso Continuo
              The Brook Street Band

              Handel at Vauxhall, Volume 1
              Eleanor Dennis (soprano), Greg Tassell (tenor), Benjamin Bevan (baritone), Kirsty Hopkins (soprano), Charles MacDougall (tenor), Sophie Bevan (soprano), Daniel Moult (organ), London Early Opera, Bridget Cunningham


              Please Host, any chance of amending the thread title?

              Comment

              • doversoul1
                Ex Member
                • Dec 2010
                • 7132

                8 April
                11.55am – Disc of the Week

                Scarlatti: 18 Sonatas
                Yevgeny Sudbin (piano)

                Comment

                • doversoul1
                  Ex Member
                  • Dec 2010
                  • 7132

                  30 April

                  11.45 - Disc of the Week

                  Lotti: Crucifixus
                  LOTTI: Dixit Dominus (Psalm 109); Miserere; Missa Sancti Christophori; Credo
                  The Syred Consort, Orchestra of St Paul’s, Ben Palmer
                  DELPHIAN DCD34182 (CD)

                  Here’s the CD

                  Comment

                  • doversoul1
                    Ex Member
                    • Dec 2010
                    • 7132

                    4 June

                    10.25 Les Arts Florissants

                    CHARPENTIER, M-A: Les Arts Florissants (Idyle en musique) H.487

                    Monteclair: Cantates a une et trois voix avec symphonie
                    MONTECLAIR: La mort de Didon; Il Dispetto in Amore; Le Triomphe de l'Amour; La Morte di Lucretia; Pyrame et Thsibe

                    Rameau: Pygmalion & Nelee et Myrthis



                    [ed.] Plus
                    Chorus vel Organa
                    LUDFORD: Lady Mass Cycle; Missa Lapidaverunt Stephanum
                    CORNYSH: Magnificat; SHEPPARD, J: Sancte Dei pretiose
                    Magnus Williamson (organ), Choir of Gonville, Caius College Cambridge, Geoffrey Webber (conductor)
                    Last edited by doversoul1; 04-06-16, 08:17.

                    Comment

                    • ardcarp
                      Late member
                      • Nov 2010
                      • 11102

                      Chorus vel Organa
                      LUDFORD: Lady Mass Cycle; Missa Lapidaverunt Stephanum
                      CORNYSH: Magnificat; SHEPPARD, J: Sancte Dei pretiose
                      Magnus Williamson (organ), Choir of Gonville, Caius College Cambridge, Geoffrey Webber (conductor)
                      This may be of interest:

                      Breathing new life into the long-unheard polyphonic harmonies of an illuminated Tudor choirbook would be a fascinating act of musical resurrection at the best of times. But to perform the music in as authentic a style as possible in the very (Royal) setting for which it was written 500 years ago adds a unique historical frisson. Today, a touch of Wolf Hall comes to Westminster when the music of the Caius Choirbook, a vast hand-illustrated tome in the library of Gonville & Caius, returns to its musical home just a few metres from the present Commons chamber.



                      and here's the CD

                      Last edited by ardcarp; 04-06-16, 13:56.

                      Comment

                      • ardcarp
                        Late member
                        • Nov 2010
                        • 11102

                        Did anyone hear the music for Alfonso Xth ? The bit of 'anon' plainsong was very beautiful, but surely the accompanying vocal parts (mainly in organum-style fifths) were highly conjectural? I could not make out whether this was part of Hesperion XXI's disc [AliaVox AVSA9915] or something separate.
                        Last edited by ardcarp; 11-06-16, 12:50.

                        Comment

                        • doversoul1
                          Ex Member
                          • Dec 2010
                          • 7132

                          18 June

                          9.00am
                          John Blow: Symphony Anthems: Choir of New College Oxford, St James’ Baroque (on period instruments), Robert Quinney (conductor)

                          PURCELL, CORBETTA, DRAGHI, G B, SIMPSON, C,: Carolyn Sampson (soprano), Elizabeth Kenny (lute), Jonathan Manson (viol), Laurence Cummings (harpsichord)

                          10.30 am New Releases (Early and Baroque)
                          DOWLAND: Lachrimae, or Seaven Teares
                          Phantasm, Elizabeth Kenny (lute)

                          Legrenzi: Sonate & Balletti
                          Clematis

                          CORBETTA, LISLEVAND, VISEE,
                          Rolf Lislevand (baroque guitar and theorbo)

                          Telemann: The Grand Concertos for Mixed Instruments, Vol. 3
                          La Stagione Frankfurt, Michael Schneider (conductor)

                          Telemann: Complete Suites & Concertos for Recorder
                          Erik Bosgraaf (recorder, direction), Ensemble Cordevento

                          Comment

                          • Richard Tarleton

                            Will listen with interest to this. Liz Kenny is busy these days! I have 2 or 3 versions of Lachrimae....Corbetta was widely travelled - Gaspar Sanz called him El mejor de todos.... He came to England with Charles ll at the Restoration, and is mentioned in Pepys's Diary (August 5, 1667) - "...I there spied Signor Francisco,tuning his guitar...."

                            Comment

                            • ardcarp
                              Late member
                              • Nov 2010
                              • 11102

                              John Blow: Symphony Anthems: Choir of New College Oxford, St James’ Baroque (on period instruments), Robert Quinney (conductor)
                              Tantalisingly, we only got about half a bar of the full choir as the verse section ended! But it is good to know that NCO are continuing to record on their Novum label.

                              Comment

                              • MickyD
                                Full Member
                                • Nov 2010
                                • 4894

                                I've only just got round to listening to last Saturday's programme. It's not often that I order a CD directly after hearing a sample, but I simply had to buy the new disc from Rolf Lislevand playing Corbetta and Robert de Visée - it sounds superb.

                                Comment

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